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remember the Ponte St。 Angelo enters�察�Since I passed�察�has thickened with 

curious groups�察�and now the Crowd is coming�察�has turned�察�has crossed that 

last barricade�察�is Here at my side。          In the middle they drag at something。 

What is it�拭�Ha� �bare swords in the air�察�held up�拭             �There seem to be voices 

Pleading   and   hands   putting   back�察  �official�察  �perhaps�察  �but   the   swords   are 

Many�察  �and   bare   in   the   air。 In   the   air�拭  �they   descend�察  �they   are   smiting�察�

Hewing�察�choppingAt what�拭            �In the air once more upstretched�拭           �And 

Is it blood that's on them�拭        �Yes�察�certainly blood�        �Of whom�察�then�拭�Over 

whom is the cry of this furor of exultation�拭            �While they are skipping and 

screaming�察�and dancing their caps on the points of Swords and bayonets�察�I 

to the outskirts back�察�and ask a Mercantile´seeming bystander�察�'What is it��' 

and he�察�looking always That way�察�makes me answer�察�'A Priest�察�who was 

trying to fly to The Neapolitan army��'and thus explains the proceeding。 

You didn't see the dead man�拭          �No��I began to be doubtful�察�I was in black 

myself�察  �and   didn't   know   what   mightn't   happen�察  �But   a   National   Guard 

close by me�察�outside of the hubbub�察�Broke his sword with slashing a broad 

hat   covered   with   dust��and   Passing   away   from   the   place   with   Murray 

under my arm�察�and Stooping�察�I saw through the legs of the people the legs 

of a body。       You are the first�察�do you know�察�to whom I have mentioned 

the matter。 Whom should I tell it to else��these girls��the Heavens forbid 

it�   �Quidnuncs   at   Monaldini'sIdlers   upon   the   Pincian�拭         �If   I   rightly 

remember�察      �it  happened     on   that  afternoon     when     Word    of   the  nearer 

approach of a new Neapolitan army First was spread。                  I began to bethink 

me    of  Paris   Septembers�察     �Thought     I  could   fancy   the  look    of  that  old 

'Ninety´two。      On that evening Three or four�察�or�察�it may be�察�five�察�of these 

people were slaughtered Some declared they had�察�one of them�察�fired on a 

sentinel�察�others Say they were only escaping�察�a Priest�察�it is currently stated�察�

Stabbed a National Guard on the very Piazza Colonna�此�History�察�Rumour of 

Rumours�察  �I   leave   to   thee   to   determine�     �But   I   am   thankful   to   say   the 

government seems to have strength to Put it down�察�it has vanished�察�at least�察�

the place is most peaceful。 Through the Trastevere walking last night�察�at 

nine   of   the   clock�察  �I   Found   no   sort   of   disorder�察  �I   crossed   by   the   Island´ 



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bridges�察�So by the narrow streets to the Ponte Rotto�察�and onwards Thence 

by the Temple of Vesta�察�away to the great Coliseum�察�Which at the full of 

the moon is an object worthy a visit。 

       VIII。 Georgina Trevellyn to Louisa 。 

     Only think�察�dearest Louisa�察�what fearful scenes we have witnessed� �

*         *         *         *        *         *         *        *         George      has 

just seen Garibaldi�察�dressed up in a long white cloak�察�on Horseback�察�riding 

by�察  �with   his   mounted   negro   behind   him�此�This   is   a   man�察  �you   know�察  �who 

came   from America   with   him�察  �Out   of   the   woods�察  �I   suppose�察  �and   uses   a 

lasso   in   fighting�察   �Which   is�察  �I   don't   quite   know�察  �but   a   sort   of   noose�察  �I 

imagine�察  �This   he   throws   on   the   heads   of   the   enemy's   men   in   a   battle�察�

Pulls them into his reach�察�and then most cruelly kills them�此�Mary does not 

believe�察�but we heard it from an Italian。 Mary allows she was wrong about 

Mr。   Claude   BEING   SELFISH�察  �He   was   MOST   useful   and   kind   on   the 

terrible   thirtieth   of   April。   Do   not   write   here   any   more�察  �we   are   starting 

directly for Florence�此�We should be off to´morrow�察�if only Papa could get 

horses�察    �All  have   been    seized   everywhere      for  the   use  of  this  dreadful 

Mazzini 

     P。S。     Mary has seen thus far。I am really so angry�察�Louisa�察�Quite 

out of patience�察�my dearest�          �What can the man be intending�拭�I am quite 

tired�察�and Mary�察�who might bring him to in a moment�察                  �Lets him go on as 

he likes�察�and neither will help nor dismiss him。 

       IX。 Claude to Eustace。 

     It is most curious to see what a power a few calm words ��in Merely a 

brief proclamation�� appear to possess on the people。 Order is perfect�察�and 

peace�察�the city is utterly tranquil�察�And one cannot conceive that this easy 

and nonchalant crowd�察  �that Flows   like   a   quiet stream  through street   and 

market´place�察  �entering   Shady   recesses   and   bays   of   church�察  �osteria�察  �and 

caffe�察�Could in a moment be changed to a flood as of molten lava�察�Boil 

into   deadly   wrath   and   wild   homicidal   delusion。         Ah�察  �'tis   an   excellent 

race��and even in old degradation�察           �Under a rule that enforces to flattery�察�

lying�察�and cheating�察�E'en under Pope and Priest�察�a nice and natural people。 

Oh�察�could they but be allowed this chance of redemption��but clearly That 



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is not likely  to be。      Meantime�察�notwithstanding   all journals�察�Honour   for 

once to the tongue and the pen of the eloquent writer� �Honour to speech� �

and all honour to thee�察�thou noble Mazzini� �

       X。 Claude to Eustace。 

     I am in love�察�meantime�察�you think�察�no doubt you would think so。 I am 

in love�察�you say�察�with those letters�察�of course�察�you would say so。 I am in 

love�察�you declare。        I think not so�察�yet I grant you It is a pleasure indeed to 

converse with this girl。        Oh�察�rare gift�察�Rare felicity�察�this� �she can talk in a 

rational way�察�can Speak upon subjects that really are matters of mind and 

of   thinking�察  �Yet   in   perfection   retain   her   simplicity�察  �never�察  �one   moment�察�

Never�察�however you urge it�察�however you tempt her�察�consents to Step from 

ideas     and    fancies    and    loving    sensations     to   those    vain    Conscious 

understandings that vex the minds of mankind。 No�察�though she talk�察�it is 

music�察�her fingers desert   not the keys�察  �'tis Song�察�though   you hear in the 

song   the   articulate   vocables   sounded�察  �Syllabled   singly   and   sweetly   the 

words of melodious meaning。                I am in love�察�you say�察�I do not think so�察�

exactly。 

       XI。 Claude to Eustace。 

     There   are   two   different   kinds�察  �I   believe�察  �of   human   attraction�此  �One 

which simply disturbs�察�unsettles�察�and makes you uneasy�察�And another that 

poises�察�retains�察 �and   fixes   and   holds   you。  I  have   no   doubt�察 �for  myself�察 �in 

giving   my   voice   for   the   latter。   I   do   not   wish   to   be   moved�察  �but   growing 

where I was growing�察�There more truly to grow�察�to live where as yet I had 

languished。 I do not like being moved�此�for the will is excited�察�and action Is 

a    most    dangerous      thing�察  �I   tremble    for   something      factitious�察   �Some 

malpractice   of   heart   and   illegitimate   process�察  �We   are   so   prone   to   these 

things�察�with our terrible notions of duty。 

       XII。 Claude to Eustace。 

     Ah�察  �let   me   look�察  �let   me   watch�察  �let   me   wait�察  �unhurried�察  �unprompted� �

Bid me not venture on aught that could alter or end what is present� �Say 

not�察�Time flies�察�and Occasion�察�that never returns�察�is departing� �Drive me 

not out yet�察�ye ill angels with fiery swords�察�from my Eden�察�Waiting�察�and 

watching�察�and looking�          �Let love be its own inspiration� �Shall not a voice�察�



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if   a  voice   there   must    be�察  �from    the  airs  that   environ�察   �Yea�察  �from    the 

conscious   heavens�察  �without   our   knowledge   or   effort�察  �Break   into   audible 

words�拭     �And love be its own inspiration�拭�

       XIII。 Claude to Eustace。 

     Wherefore   and   how   I   am  certain�察  �I   hardly  can   tell�察�but   it   IS   so。   She 

doesn't like me�察�Eustace�察�I think she never will like me。 Is it my fault�察�as it 

is my misfortune�察�my ways are not her ways�拭�Is it my fault�察�that my habits 

and   modes   are   dissimilar   wholly�拭  �'Tis   not   her   fault�察  �'tis   her   nature�察  �her 

virtue�察�to misapprehend them�此�'Tis not her fault�察�'tis her beautiful nature�察�

not ever to know me。 Hopeless it seems��yet I cannot�察�though hopeless�察�

determine to leave it�此�She goestherefore I go�察�she moves��I move�察�not to 

lose her。 

       XIV。 Claude to Eustace。 

     Oh�察�'tisn't manly�察�of course�察�'tisn't manly�察�this method of wooing�察�'Tisn't 

the w

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