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is察with whom she was constantly identified察may be described as a goddess of nature in general and of fertility in particular。 We need not wonder察therefore察that in her sanctuary on the Aventine she was represented by an image copied from the many´breasted idol of the Ephesian Artemis察with all its crowded emblems of exuberant fecundity。 Hence too we can understand why an ancient Roman law察attributed to King Tullus Hostilius察prescribed that察when incest had been committed察an expiatory sacrifice should be offered by the pontiffs in the grove of Diana。 For we know that the crime of incest is commonly supposed to cause a dearth察hence it would be meet that atonement for the offence should be made to the goddess of fertility。

Now on the principle that the goddess of fertility must herself be fertile察it behoved Diana to have a male partner。 Her mate察if the testimony of Servius may be trusted察was that Virbius who had his representative察or perhaps rather his embodiment察in the King of the Wood at Nemi。 The aim of their union would be to promote the fruitfulness of the earth察of animals察and of mankind察and it might naturally be thought that this object would be more surely attained if the sacred nuptials were celebrated every year察the parts of the divine bride and bridegroom being played either by their images or by living persons。 No ancient writer mentions that this was done in the grove at Nemi察but our knowledge of the Arician ritual is so scanty that the want of information on this head can hardly count as a fatal objection to the theory。 That theory察in the absence of direct evidence察must necessarily be based on the analogy of similar customs practised elsewhere。 Some modern examples of such customs察more or less degenerate察were described in the last chapter。 Here we shall consider their ancient counterparts。

2。 The Marriage of the Gods

AT BABYLON the imposing sanctuary of Bel rose like a pyramid above the city in a series of eight towers or stories察planted one on the top of the other。 On the highest tower察reached by an ascent which wound about all the rest察there stood a spacious temple察and in the temple a great bed察magnificently draped and cushioned察with a golden table beside it。 In the temple no image was to be seen察and no human being passed the night there察save a single woman察whom察according to the Chaldean priests察the god chose from among all the women of Babylon。 They said that the deity himself came into the temple at night and slept in the great bed察and the woman察as a consort of the god察might have no intercourse with mortal man。

At Thebes in Egypt a woman slept in the temple of Ammon as the consort of the god察and察like the human wife of Bel at Babylon察she was said to have no commerce with a man。 In Egyptian texts she is often mentioned as the divine consort察and usually she was no less a personage than the Queen of Egypt herself。 For察according to the Egyptians察their monarchs were actually begotten by the god Ammon察who assumed for the time being the form of the reigning king察and in that disguise had intercourse with the queen。 The divine procreation is carved and painted in great detail on the walls of two of the oldest temples in Egypt察those of Deir el Bahari and Luxor察and the inscriptions attached to the paintings leave no doubt as to the meaning of the scenes。

At Athens the god of the vine察Dionysus察was annually married to the Queen察and it appears that the consummation of the divine union察as well as the espousals察was enacted at the ceremony察but whether the part of the god was played by a man or an image we do not know。 We learn from Aristotle that the ceremony took place in the old official residence of the King察known as the Cattle´stall察which stood near the Prytaneum or Town´hall on the north´eastern slope of the Acropolis。 The object of the marriage can hardly have been any other than that of ensuring the fertility of the vines and other fruit´trees of which Dionysus was the god。 Thus both in form and in meaning the ceremony would answer to the nuptials of the King and Queen of May。

In the great mysteries solemnised at Eleusis in the month of September the union of the sky´god Zeus with the corn´goddess Demeter appears to have been represented by the union of the hierophant with the priestess of Demeter察who acted the parts of god and goddess。 But their intercourse was only dramatic or symbolical察for the hierophant had temporarily deprived himself of his virility by an application of hemlock。 The torches having been extinguished察the pair descended into a murky place察while the throng of worshippers awaited in anxious suspense the result of the mystic congress察on which they believed their own salvation to depend。 After a time the hierophant reappeared察and in a blaze of light silently exhibited to the assembly a reaped ear of corn察the fruit of the divine marriage。 Then in a loud voice he proclaimed察Queen Brimo has brought forth a sacred boy Brimos察by which he meant察The Mighty One has brought forth the Mighty。 The corn´mother in fact had given birth to her child察the corn察and her travail´pangs were enacted in the sacred drama。 This revelation of the reaped corn appears to have been the crowning act of the mysteries。 Thus through the glamour shed round these rites by the poetry and philosophy of later ages there still looms察like a distant landscape through a sunlit haze察a simple rustic festival designed to cover the wide Eleusinian plain with a plenteous harvest by wedding the goddess of the corn to the sky´god察who fertilised the bare earth with genial showers。 Every few years the people of Plataea察in Boeotia察held a festival called the Little Daedala察at which they felled an oak´tree in an ancient oak forest。 Out of the tree they carved an image察and having dressed it as a bride察they set it on a bullock´cart with a bridesmaid beside it。 The image seems then to have been drawn to the bank of the river Asopus and back to the town察attended by a piping and dancing crowd。 Every sixty years the festival of the Great Daedala was celebrated by all the people of Boeotia察and at it all the images察fourteen in number察which had accumulated at the lesser festivals察were dragged on wains in procession to the river Asopus and then to the top of Mount Cithaeron察where they were burnt on a great pyre。 The story told to explain the festivals suggests that they celebrated the marriage of Zeus to Hera察represented by the oaken image in bridal array。 In Sweden every year a life´size image of Frey察the god of fertility察both animal and vegetable察was drawn about the country in a waggon attended by a beautiful girl who was called the god's wife。 She acted also as his priestess in his great temple at Upsala。 Wherever the waggon came with the image of the god and his blooming young bride察the people crowded to meet them and offered sacrifices for a fruitful year。

Thus the custom of marrying gods either to images or to human beings was widespread among the nations of antiquity。 The ideas on which such a custom is based are too crude to allow us to doubt that the civilised Babylonians察Egyptians察and Greeks inherited it from their barbarous or savage forefathers。 This presumption is strengthened when we find rites of a similar kind in vogue among the lower races。 Thus察for example察we are told that once upon a time the Wotyaks of the Malmyz district in Russia were distressed by a series of bad harvests。 They did not know what to do察but at last concluded that their powerful but mischievious god Keremet must be angry at being unmarried。 So a deputation of elders visited the Wotyaks of Cura and came to an understanding with them on the subject。 Then they returned home察laid in a large stock of brandy察and having made ready a gaily decked waggon and horses察they drove in procession with bells ringing察as they do when they are fetching home a bride察to the sacred grove at Cura。 There they ate and drank merrily all night察and next morning they cut a square piece of turf in the grove and took it home with them。 After that察though it fared well with the people of Malmyz察it fared ill with the people of Cura察for in Malmyz the bread was good察but in Cura it was bad。 Hence the men of Cura who had consented to the marriage were blamed and roughly handled by their indignant fellow´villagers。 What they meant by this marriage ceremony察says the writer who reports it察it is not easy to imagine。 Perhaps察as Bechterew thinks察they meant to marry Keremet to the kindly and fruitful Mukylcin察the Earth´wife察in order that she might influence him for good。 When wells are dug in Bengal察a wooden image of a god is made and married to the goddess of water。

Often the bride destined for the god is not a log or a cloud察but a living woman of flesh and blood。 The Indians of a village in Peru have been known to marry a beautiful girl察about fourteen years of age察to a stone shaped like a human being察which they regarded as a god huaca。 All the villagers took part in the marriage ceremony察which lasted three days察and was attended with much revelry。 The girl thereafter remained a virgin and sacrificed to the idol for the people。 They showed her the utmost reverence and deemed her divine。 Every year about t

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