stage-land[1].(舞台)-第2节
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human beings half so moralso fond of goodness； even when it is slow
and stupidso hateful of meanness in word or deedas a modern theatrical
gallery。
The early Christian martyrs were sinful and worldly compared with an
Adelphi gallery。
The stage hero is a very powerful man。 You wouldn't think it to look
at him； but you wait till the heroine cries 〃Help！ Oh； George； save me！〃
or the police attempt to run him in。 Then two villains； three extra hired
ruffians and four detectives are about his fighting…weight。
If he knocks down less than three men with one blow； he fears that he
must be ill； and wonders 〃Why this strange weakness？〃
The hero has his own way of making love。 He always does it from
behind。 The girl turns away from him when he begins （she being； as we
have said； shy and timid）； and he takes hold of her hands and breathes his
attachment down her back。
The stage hero always wears patent…leather boots； and they are always
spotlessly clean。 Sometimes he is rich and lives in a room with seven
doors to it； and at other times he is starving in a garret； but in either event
he still wears brand…new patent…leather boots。
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He might raise at least three…and…sixpence on those boots； and when
the baby is crying for food； it occurs to us that it would be better if； instead
of praying to Heaven； he took off those boots and pawned them； but this
does not seem to occur to him。
He crosses the African desert in patent…leather boots； does the stage
hero。 He takes a supply with him when he is wrecked on an uninhabited
island。 He arrives from long and trying journeys； his clothes are ragged
and torn； but his boots are new and shiny。 He puts on patent…leather
boots to tramp through the Australian bush； to fight in Egypt； to discover
the north pole。
Sometimes he is a gold…digger； sometimes a dock laborer； sometimes a
soldier； sometimes a sailor； but whatever he is he wears patent…leather
boots。
He goes boating in patent leather boots； he plays cricket in them； he
goes fishing and shooting in them。 He will go to heaven in patent…leather
boots or he will decline the invitation。
The stage hero never talks in a simple； straightforward way； like a
mere ordinary mortal。
〃You will write to me when you are away； dear； won't you？〃 says the
heroine。
A mere human being would reply：
〃Why； of course I shall； ducky； every day。〃
But the stage hero is a superior creature。 He says：
〃Dost see yonder star； sweet？〃
She looks up and owns that she does see yonder star； and then off he
starts and drivels on about that star for full five minutes； and says he will
cease to write to her when that pale star has fallen from its place amid the
firmament of heaven。
The result of a long course of acquaintanceship with stage heroes has
been； so far as we are concerned； to create a yearning for a new kind of
stage hero。 What we would like for a change would be a man who
wouldn't cackle and brag quite so much； but who was capable of taking
care of himself for a day without getting into trouble。
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THE VILLAIN。
He wears a clean collar and smokes a cigarette； that is how we know
he is a villain。 In real life it is often difficult to tell a villain from an
honest man； and this gives rise to mistakes； but on the stage； as we have
said villains wear clean collars and smoke cigarettes； and thus all fear of
blunder is avoided。
It is well that the rule does not hold off the stage； or good men might
be misjudged。 We ourselves； for instance； wear a clean collar
sometimes。
It might be very awkward for our family； especially on Sundays。
He has no power of repartee； has the stage villain。 All the good
people in the play say rude and insulting things to him； and smack at him；
and score off him all through the act； but he can never answer them back
can never think of anything clever to say in return。
〃Ha！ ha！ wait till Monday week；〃 is the most brilliant retort that he can
make； and he has to get into a corner by himself to think of even that。
The stage villain's career is always very easy and prosperous up to
within a minute of the end of each act。 Then he gets suddenly let in；
generally by the comic man。 It always happens so。 Yet the villain is
always intensely surprised each time。 He never seems to learn anything
from experience。
A few years ago the villain used to be blessed with a hopeful and
philosophical temperament； which enabled him to bear up under these
constantly recurring disappointments and reverses。 It was 〃no matter；〃 he
would say。 Crushed for the moment though he might be； his buoyant
heart never lost courage。 He had a simple； child…like faith in Providence。
〃A time will come；〃 he would remark； and this idea consoled him。
Of late； however； this trusting hopefulness of his； as expressed in the
beautiful lines we have quoted； appears to have forsaken him。 We are
sorry for this。 We always regarded it as one of the finest traits in his
character。
The stage villain's love for the heroine is sublime in its steadfastness。
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She is a woman of lugubrious and tearful disposition； added to which she
is usually incumbered with a couple of priggish and highly objectionable
children； and what possible attraction there is about her we ourselves can
never understand； but the stage villainwell； there； he is fairly mashed on
her。
Nothing can alter his affection。 She hates him and insults him to an
extent that is really unladylike。 Every time he tries to explain his
devotion to her； the hero comes in and knocks him down in the middle of
it； or the comic man catches him during one or the other of his harassing
love…scenes with her； and goes off and tells the 〃villagers〃 or the 〃guests；〃
and they come round and nag him （we should think that the villain must
grow to positively dislike the comic man before the piece is over）。
Notwithstanding all this he still hankers after her and swears she shall
be his。 He is not a bad…looking fellow； and from what we know of the
market； we should say there are plenty of other girls who would jump at
him； yet for the sake of settling down with this dismal young female as his
wife； he is prepared to go through a laborious and exhaustive course of
crime and to be bullied and insulted by every one he meets。 His love
sustains him under it all。 He robs and forges； and cheats； and lies； and
murders； and arsons。 If there were any other crimes he could commit to
win her affection； he would； for her sweet sake； commit them cheerfully。
But he doesn't know any othersat all events； he is not well up in any
othersand she still does not care for him； and what is he to do？
It is very unfortunate for both of them。 It is evident to the merest
spectator that the lady's life would be much happier if the villain did not
love her quite so much； and as for him； his career might be calmer and less
criminal but for his deep devotion to her。
You see； it is having met her in early life that is the cause of all the
trouble。 He first saw her when she was a child； and he loved her； 〃ay；
even then。〃 Ah； and he would have workedslaved for her； and have
made her rich and happy。 He might perhaps even have been a good man。
She tries to soothe him。 She says she loathed him with an
unspeakable horror from the first moment that her eyes met his revolting
form。 She says she saw a hideous toad once in a nasty pond； and she says
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that rather would she take tha
