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laughter over such very small jokes。           How a man like that would enjoy a 

real joke�     �One day he will perhaps hear a real joke。              Who knows�拭        �It 

will�察 �however�察  �probably   kill   him。     One   grows   to   love   the   stage   peasant 

after   awhile。    He   is   so   good�察  �so   child´like�察  �so   unworldly。 He   realizes 

one's ideal of Christianity。 



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                  THE GOOD OLD MAN。 



     He has lost his wife。      But he knows where she isamong the angels� �

     She isn't all gone�察�because the heroine has her hair。             ;Ah�察�you've got 

your mother's hair�察─�says the good old man�察�feeling the girl's head all over 

as she kneels beside him。        Then they all wipe away a tear。 

     The   people   on   the   stage   think   very  highly  of   the   good   old   man�察  �but 

they don't encourage him  much after the first act。              He generally dies in 

the first act。 

     If he does not seem likely to die they murder him。 

     He is a most unfortunate old gentleman。            Anything he is mixed up in 

seems bound to go wrong。           If he is manager or director of a bank�察�smash 

it goes before even one act is over。          His particular firm is always on the 

verge   of   bankruptcy。     We   have   only   to   be   told   that   he   has   put   all   his 

savings into a companyno matter how sound and promising an affair it 

may always have been and may still seemto know that that company is a 

;goner。; 

    No power on earth can save it after once the good old man has become 

a shareholder。 

     If we lived in stage´land and were asked to join any financial scheme�察�

our first question would be�此�

     ;Is the good old man in it�拭─       �If so�察�that would decide us。 

     When the good old man is a trustee for any one he can battle against 

adversity   much   longer。     He   is   a   plucky   old   fellow�察  �and   while   that   trust 

money lasts he keeps a brave heart and fights on boldly。               It is not until he 

has spent the last penny of it that he gives way。 

     It then flashes across the old man's mind that his motives for having 

lived    in  luxury    upon    that   trust  money     for   years   may    possibly    be 

misunderstood。       The     worldthe    hollow�察  �heartless   worldwill    call  it  a 

swindle and regard him generally as a precious old fraud。 

     This idea quite troubles the good old man。 

     But the world really ought not to blame him。               No one�察�we are sure�察�



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could be more ready and willing to make amends ��when found out���察�and to 

put matters right he will cheerfully sacrifice his daughter's happiness and 

marry her to the villain。 

     The villain�察�by the way�察�has never a penny to bless himself with�察�and 

cannot   even   pay  his   own   debts�察  �let   alone   helping   anybody  else   out  of   a 

scrape。     But the good old man does not think of this。 

     Our    own     personal    theory�察  �based    upon    a   careful   comparison      of 

similarities�察�is that the good old man is in reality the stage hero grown old。 

There is something   about the good old   man's chuckle´headed   simplicity�察�

about his helpless imbecility�察�and his irritating damtom foolishness that is 

strangely suggestive of the hero。 

     He is just the sort of old man that we should imagine the hero would 

develop into。 

     We may�察�of course�察�be wrong�察�but that is our idea。 



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                                         STAGE´LAND。 



                          THE IRISHMAN。 



     He     says   ;Shure;      and   ;Bedad;      and    in   moments       of   exultation 

;Beghorra。; That is all the Irish he knows。 

     He   is   very   poor�察  �but   scrupulously   honest。    His   great   ambition   is   to 

pay his rent�察�and he is devoted to his landlord。 

     He    is  always    cheerful    and   always    good。     We    never    knew    a  bad 

Irishman   on   the   stage。    Sometimes   a   stage   Irishman   seems   to   be   a   bad 

mansuch as the ;agent; or the ;informer;but in these cases it invariably 

turns   out   in   the   end   that   this   man   was   all   along   a   Scotchman�察  �and   thus 

what had been a mystery becomes clear and explicable。 

     The     stage   Irishman     is  always     doing    the   most    wonderful     things 

imaginable。       We   do   not   see   him   do   those   wonderful   things。    He   does 

them  when   nobody  is   by  and   tells   us   all   about   them  afterward�此     �that   is 

how we know of them。 

     We remember on one occasion�察�when we were young and somewhat 

inexperienced�察�planking our money down and going into a theater solely 

and purposely to see the stage Irishman do the things he was depicted as 

doing on the posters outside。 

     They were really marvelous�察�the things he did on that poster。 

     In the right´hand upper corner he appeared running across country on 

all   fours�察  �with   a   red   herring   sticking   out   from   his   coat´tails�察  �while   far 

behind   came   hounds   and   horsemen   hunting   him。           But   their   chance   of 

ever catching him up was clearly hopeless。 

     To the left he was represented as running away over one of the wildest 

and most rugged bits of landscape we have ever seen with a very big man 

on   his   back。   Six   policemen   stood   scattered   about   a   mile   behind   him。 

They had evidently  been running after   him�察�but   had at last given up   the 

pursuit as useless。 

     In   the   center   of  the   poster   he   was    having    a  friendly    fight  with 

seventeen   ladies   and   gentlemen。       Judging   from   the   costumes�察  �the   affair 

appeared to be a wedding。            A few of the guests had already been killed 

and   lay   dead   about   the   floor。   The   survivors�察  �however�察  �were   enjoying 



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themselves immensely�察�and of all that gay group he was the gayest。 

     At the moment chosen by the artist�察�he had just succeeded in cracking 

the bridegroom's skull。 

     ;We must see this�察─�said we to ourselves。             ;This is good。;      And we 

had a bob's worth。 

     But he did not do any of the things that we have mentioned�察�after all 

at least�察�we mean we did not see him do any of them。                   It seems he did 

them ;off�察─�and then came on and told his mother all about it afterward。 

     He   told   it   very   well�察  �but   somehow   or   other   we   were   disappointed。 

We had so reckoned on that fight。 

     By the bye�察�we have noticed�察�even among the characters of real life�察�a 

tendency to perform most of their wonderful feats ;off。; 

     It   has   been   our   privilege   since   then   to   gaze   upon   many   posters   on 

which have been delineated strange and moving stage events。 

     We have seen the hero holding the villain up high above his head�察�and 

throwing him about that carelessly that we have felt afraid he would break 

something with him。 

     We have seen a heroine leaping from the roof of a house on one side of 

the street   and   being caught   by  the   comic   man   standing   on   the   roof of   a 

house on the other side of the street and thinking nothing of it。 

     We have seen railway trains rushing into each other at the rate of sixty 

miles an hour。      We have seen houses blown up by dynamite two hundred 

feet   into   the   air。 We   have   seen   the   defeat   of   the   Spanish Armada�察  �the 

destruction of Pompeii�察�and the return of the British army from Egypt in 

one ;set; each。 

     Such incidents as earthquakes�察 �wrecks in mid´ocean�察�revolutions   and 

battles we take no note of�察�they being commonplace and ordinary。 

     But we do not go inside to see these things now。              We have two looks 

at the poster instead�察�it is more satisfying。 

     The Irishman�察�to return to our friend�察�is very fond of whiskythe stage 

Irishman�察�we mean。         Whisky is forever in his thoughtsand often in other 

places belonging to him�察�besides。 

     The fashion in dress among stage Irishmen is rather picturesque than 

neat。    Tailors must have a hard time of it in stage Ireland。 



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                                        STAGE´LAND。 



     The   stage   Irishman   has   also   an   original   taste   in   hats。 He   always 

wears a hat without a crown�察�whether to keep his head cool or with any 

political sig

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