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student and a critic。 

     Mr。 Samuel Richardson�察�a man of little reading�察�according to Johnson�察�

was�察�I doubt�察�sadly put to it to understand Booth's conversations with the 

author     who     remarked      that   ;Perhaps     Mr。    Pope    followed      the   French 

Translations。       I observe�察�indeed�察�he talks much in the Notes of Madame 

Dacier and Monsieur Eustathius。;               What knew Samuel of Eustathius�拭               �I 

not   only   can   forgive   Fielding   his   pedantry�察  �I   like   it�  �I   like   a   man   of 

letters to be a scholar�察�and his little pardonable display and ostentation of 

his Greek only brings him nearer to us�察�who have none of his genius�察�and 

do not approach him but in his faults。              They make him more human�察�one 

loves   him   for   them   as   he   loves   Squire   Western�察  �with   all   his   failings。 

Delightful�察�immortal Squire� �

     It was not he�察�it was another Tory Squire that called out ;Hurray for 

old England�        �Twenty thousand honest Frenchmen are landed in Sussex。; 

But it   was Western   that talked   of   ;One Acton�察�that   the   Story  Book   says 

was turned into a Hare�察�and his own Dogs kill'd 'un�察�and eat 'un。;                        And 

have   you   forgotten   the   popular   discussion   ��during   the   Forty´five��   of   the 

affairs of the Nation�察�which�察�as Squire Western said�察 �all of us understand;�拭�

Said   the   Puppet´Man�察   �I   don't   care   what   Religion   comes�察  �provided   the 

Presbyterians are not uppermost�察�for they are enemies to Puppet´Shows。; 

But the Puppet´ Man had no vote in 1745。                  Now�察�to our comfort�察�he can 

and does exercise the glorious privilege of the franchise。 

     There     is  no  room   in    this  epistle   for  Fielding's    glorious    gallery   of 

charactersfor   Lady  Bellaston�察  �who   remains   a   lady  in   her   debaucheries�察�

and   is   therefore   so   unlike   our   modern   representative   of   her   class�察  �Lady 

Betty�察�in   Miss   Broughton's   ;Doctor  Cupid�察─  �for  Square�察 �and Thwackum�察�

and   Trulliber�察  �and     the   jealous   spite   of   Lady   Booby�察   �and    Honour�察    �that 

undying lady's maid�察�and Partridge�察�and Captain Blifil and Amelia�察�the fair 

and kind and good� �



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     It is like the whole world of that old Englandthe maids of the Inn�察�the 

parish   clerk�察  �the   two   sportsmen�察  �the   hosts   of   the   taverns�察  �the   beaux�察  �the 

starveling authorsall alive�察�all ��save the authors�� full of beef and beer�察�a 

cudgel   in   every   fist�察  �every   man   ready   for   a   brotherly   bout   at   fisticuffs。 

What has become of it�察�the lusty old militant world�拭                    �What will become 

of us�察�and why do we prefer to Fieldinga number of meritorious moderns�拭�

Who knows�拭         �But do not let us prefer anything to our English follower of 

Cervantes�察  �our   wise�察  �merry�察  �learned   Sancho�察  �trudging   on   English   roads�察�

like Don Quixote on the paths of Spain。 

     But I cannot convert you。             You will turn to some story about store´ 

clerks and summer visitors。            Such is his fate who argues with the fair。 



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                           LONGFELLOW 



     To Walter Mainwaring�察�Esq。�察�Lothian College�察�Oxford。 

     My dear Mainwaring��You are very good to ask me to come up and 

listen   to   a   discussion�察  �by   the   College   Browning   Society�察  �of   the   minor 

characters in ;Sordello�察─�but I think it would suit me better�察�if you didn't 

mind�察�to come up when the May races are on。                I am not deeply concerned 

about the minor characters in ;Sordello�察─�and have long reconciled myself 

to the conviction that I must pass through this pilgrimage without hearing 

Sordello's story told in an intelligible manner。             Your letter�察�however�察�set 

me a´voyaging about my bookshelves�察�taking up a volume of poetry here 

and there。 

     What   an   interesting   tract   might   be   written   by   any   one   who   could 

remember�察  �and   honestly   describe�察  �the   impressions   that   the   same   books 

have made on him at different ages�              �There is Longfellow�察�for example。 

I have not read much in him for twenty years。               I take him up to´day�察�and 

what a flood of memories his music brings with it� �To me it is like a sad 

autumn   wind   blowing   over   the   woods�察  �blowing   over   the   empty   fields�察�

bringing   the   scents   of   October�察 �the song   of   a belated bird�察 �and here   and 

there a red leaf from the tree。         There is that autumnal sense of things fair 

and far behind�察�in his poetry�察�or�察�if it is not there�察�his poetry stirs it in our 

forsaken lodges of the past。         Yes�察�it comes to one out of one's boyhood�察�it 

breathes of a world very vaguely realizeda world of imitative sentiments 

and forebodings of hours to come。             Perhaps Longfellow first woke me to 

that later sense of what poetry means�察�which comes with early manhood。 

     Before�察�one had been content�察�I am still content�察�with Scott in his battle 

pieces�察   �with   the   ballads   of   the  Border。    Longfellow       had    a  touch   of 

reflection you do not find�察�of course�察�in battle poems�察�in a boy's favourites�察�

such as ;Of Nelson and the North�察─�or ;Ye Mariners of England。; 

     His   moral   reflections   may   seem   obvious   now�察  �and   trite�察  �they   were 

neither   when   one   was   fifteen。      To   read   the   ;Voices   of   the   Night�察─  �in 

particularthose early piecesis to be back at school again�察�on a Sunday�察�

reading   all   alone   on   a   summer's   day�察  �high   in   some   tree�察  �with   a   wide 



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prospect of gardens and fields。 

     There is that mysterious note in the tone and measure which one first 

found   in   Longfellow�察  �which   has   since   reached   our   ears   more   richly   and 

fully in Keats�察�in Coleridge�察�in Tennyson。             Take�察�for example�察�

       ;The welcome�察�the thrice prayed for�察�the most fair�察�The best´beloved 

Night� ─�

       Is not that version of Euripides exquisitedoes it not seem exquisite 

still�察  �though   this   is   not   the   quality   you   expect   chiefly   from   Longfellow�察�

though     you    rather   look   to  him    for  honest    human     matter   than    for  an 

indefinable beauty of manner�拭�

     I   believe   it   is   the   manner�察  �after   all�察  �of   the   ;Psalm   of   Life;   that   has 

made it so strangely popular。            People tell us�察�excellent people�察�that it   is 

;as good as a sermon�察─�that they value it for this reason�察�that its lesson has 

strengthened the hearts of men in our difficult life。              They say so�察�and they 

think so�此    �but the poem is not nearly as good as a sermon�察�it is not even 

coherent。      But it really has an original cadence of its own�察�with its double 

rhymes�察�and the pleasure of this cadence has combined�察�with a belief that 

they    are   being   edified�察   �to  make    readers    out   of  number      consider    the 

;Psalms of Life; a masterpiece。             Youmy learned prosodist and student 

of Browning and Shelleywill agree with me that it is not a masterpiece。 

But   I   doubt   if   you   have   enough   of   the   experience   brought   by   years   to 

tolerate the opposite opinion�察�as your elders can。 

     How   many  other   poems   of   Longfellow's   there   are   that   remind   us   of 

youth�察�and of those kind�察�vanished faces which were around us when we 

read ;The Reaper and the Flowers;�              �I read again�察�and�察�as the poet says�察�

       ;Then the forms of the departed Enter at the open door�察�The beloved�察�

the true´hearted Come to visit me once more。; 

       Compare   that   simple   strain�察  �you   lover   of   Theophile   Gautier�察  �with 

Theo's own ;Chateau de Souvenir; in ;Emaux et Camees�察─�and confess the 

truth�察�which poet brings the  break into the  reader's   voice�拭              �It is not   the 

dainty�察�accomplished Frenchman�察�the jeweller in words�察�it is the simpler 

speaker   of   our   English   tongue   who   stirs   you   as   a   ballad   moves   you。   I 

find one comes back to Longfellow�察�and to one's old self of the old years。 

I don't know a poem ;of the affections�察─�as Sir Barnes Newcome would 



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have called it�察�that I like better than Thackeray's ;Cane´bottomed Chair。; 

Well�察   �The   Fire   of   Driftwood;   a

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