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mystery   of   the   light。     There   is   nothing   but   shadow   and   sun�察  �colour   is 

absorbed   and the landscape   is   reduced   to   a   shining simplicity。             Thus   is 

the    dominant       sun   sufficient     for   his   day。     His    passage      kindles    to 

unconsuming fires and quenches into living ashes。                     No incidents save of 

his   causing�察  �no   delight   save   of   his   giving�此  �from   the   sunrise�察  �when   the 

larks�察�not for pairing�察�but for play�察�sing the only virginal song of the year 



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a heart younger than Spring's in the season of declineeven to the sunset�察�

when the herons scream together in the shallows。                And the sun dominates 

by his absence�察�compelling the low country to sadness in the melancholy 

night。 



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                              THE FLOWER 



     There is a form of oppression that has not until now been confessed by 

those who suffer from it or who are participants�察�as mere witnesses�察�in its 

tyranny。     It is the obsession of man by the flower。               In the shape of the 

flower     his   own    paltriness    revisits   him´    ´his  triviality�察 �his   sloth�察  �his 

cheapness�察 �his   wholesale  habitualness�察  �his slatternly  ostentation。             These 

return to him and wreak upon him their dull revenges。                  What the tyranny 

really had grown to can be gauged nowhere so well as in country lodgings�察�

where the most ordinary things of design and decoration have sifted down 

and gathered together�察�so that foolish ornament gains a cumulative force 

and achieves a   conspicuous commonness。                 Stem and   petal and   leafthe 

fluent forms that a man has not by heart but certainly by roteare woven�察�

printed�察  �cast�察  �and   stamped   wherever   restlessness   and   insimplicity   have 

feared   to   leave   plain   spaces。    The   most   ugly   of   all   imaginable   rooms�察�

which   is   probably  the   parlour   of   a   farm´   house   arrayed   for   those   whom 

Americans call summer´boarders�察�is beset with flowers。                   It blooms�察�a dry�察�

woollen�察  �papery�察  �cast´iron   garden。        The   floor   flourishes   with   blossoms 

adust�察  �poorly   conventionalised   into   a   kind   of   order�察  �the   table´cover   is 

ablaze with a more realistic florescence�察�the wall´paper is set with bunches�察�

the    rigid   machine´lace      curtain    is  all  of  roses   and    lilies  in  its  very 

construction�察�over the muslin blinds an impotent sprig is scattered。                  In the 

worsted   rosettes   of   the   bell´ropes�察  �in   the   plaster   picture´frames�察  �in   the 

painted tea´tray and on the cups�察�in the pediment of the sideboard�察�in the 

ornament that crowns the barometer�察�in the finials of sofa and arm´chair�察�in 

the finger´ plates of the 'grained' door�察�is to be seen the ineffectual portrait 

or   to   be   traced  the  stale   inspiration   of   the   flower。   And   what   is    this 

bossiness   around   the   grate   but   some   blunt�察  �black´leaded   garland�拭       �The 

recital    is  wearisome�察     �but   the   retribution    of   the   flower    is  precisely 

weariness。      It is the persecution of man�察�the haunting of his trivial visions�察�

and the oppression of his inconsiderable brain。 

     The man so possessed suffers the lot of the weaklingsubjection to the 

smallest of the things he has abused。              The designer of cheap patterns is 



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no   more   inevitably   ridden   by   the   flower   than   is   the   vain   and   transitory 

author     by   the   phrase。    But     I  had   rather   learn   my    decoration     of   the 

Japanese�察�and place against the blank wall one pot plain from the wheel�察�

holding   one   singular   branch   in   blossom�察  �in   the   attitude   and   accident   of 

growth。      And I could wish abstention to exist�察�and even to be evident�察�in 

my     words。     In   literature    as  in  all  else   man    merits    his  subjection     to 

trivialities by a  kind of   economical greed。             A condition   for using   justly 

and     gaily    any   decoration      would      seem    to   be   a   certain    reluctance。 

Ornamentstrange   as the   doctrine sounds   in  a   world   decivilisedwas   in 

the beginning intended to be something jocund�察�and jocundity was never 

to   be   achieved   but   by  postponement�察  �deference�察  �and   modesty。           Nor   can 

the prodigality of the meadows in May be quoted in dispute。                       For Nature 

has     something       even    more     severe     than    moderation�此       �she     has    an 

innumerable singleness。           Her butter´cup meadows are not prodigal�察�they 

show      multitude�察    �but   not   multiplicity�察   �and    multiplicity     is  exactly    the 

disgrace of decoration。         Who has ever multiplied or repeated his delights�拭�

or who has ever gained the granting of the most foolish of his wishesthe 

prayer   for   reiteration�拭    �It   is   a   curious   slight   to   generous   Fate   that   man 

should�察  �like   a   child�察  �ask   for   one   thing   many   times。   Her   answer   every 

time is a resembling but new and single gift�察�until the day when she shall 

make the one tremendous difference among her giftsand make it perhaps 

in secretby naming one of them the ultimate。                  What�察�for novelty�察�what�察�

for    singleness�察    �what�察   �for  separateness�察     �can   equal    the   last�拭  �Of   many 

thousand   kisses   the  poor   lastbut   even   the   kisses   of   your   mouth   are   all 

numbered。 



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             UNSTABLE EQUILIBRIUM 



     It is principally for the sake of the leg that a change in the dress of man 

is so much to be desired。         The leg�察�completing as it does the form of man�察�

should   make   a     great   part   of   that  human   scenery   which   is     at   least  as 

important      as   the   scenery    of   geological     structure�察  �or   the   scenery    of 

architecture�察     �or  the   scenery     of  vegetation�察    �but   which     the   lovers   of 

mountains       and   the   preservers    of  ancient    buildings     have   consented     to 

ignore。     The leg is the best part of the figure�察�inasmuch as it has the finest 

lines and therewith those slender�察�diminishing forms which�察�coming at the 

base of the human structure�察�show it to be a thing of life by its unstable 

equilibrium。       A    lifeless   structure    is  in  stable   equilibrium�察    �the   body�察�

springing�察    �poised�察   �upon    its  fine  ankles    and   narrow    feet�察  �never   stands 

without implying and expressing life。             It is the leg that first suggested the 

phantasy of flight。       We imagine wings to the figure that is erect upon the 

vital and tense legs of man�察�and the herald Mercury�察�because of his station�察�

looks new´lighted。         All this is true of the best leg�察�and the best leg is the 

man's。     That of the young child�察�in which the Italian schools of painting 

delighted�察�has neither movement nor supporting strength。                    In the case of 

the woman's figure it is the foot�察�with its extreme proportional smallness�察�

that   gives    the  precious    instability�察  �the  spring    and   balance    that   are  so 

organic。     But   man   should   no   longer   disguise   the   long   lines�察  �the   strong 

forms�察  �in   those   lengths   of   piping   or   tubing   that   are   of   all   garments   the 

most stupid。       Inexpressive of what they clothe as no kind of concealing 

drapery   could      ever   be�察 �they   are   neither   implicitly   nor   explicitly   good 

raiment。     It   is   hardly   possible   to   err   by   violence   in   denouncing   them。 

Why�察�when a bad writer is praised for 'clothing his thought��' it is to modern 

raiment   that   one's   nimble   fancy   fliesfain   of   completing   the   beautiful 

metaphor� �

     The   human   scenery�此       �yes�察  �costume   could   make   a   crowd   something 

other     than   the   mass     of   sooty    colourdark     without     depthand      the 

multiplication of undignified forms that fill the streets�察�and demonstrate�察�

and strike�察�and listen to the democrat。             For the undistinguished are very 



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