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said the Middle…sized Bear; in his middle…sized

voice。



And when the Little Small Wee Bear came

to look at his bed; there was the bolster in

its place; and the pillow in its place upon the

bolster; and upon the pillow was the shining;

yellow hair of little Goldilocks!



〃SOMEBODY HAS BEEN LYING IN MY BED;

AND HERE SHE IS!〃 said the Little Small Wee

Bear; in his little; small; wee voice。



Goldilocks had heard in her sleep the great;

rough; gruff voice of the Great Huge Bear;

but she was so fast asleep that it was no more

to her than the roaring of wind or the rumbling

of thunder。  And she had heard the

middle…sized voice of the Middle…sized Bear;

but it was only as if she had heard someone

speaking in a dream。  But when she heard the

little; small; wee voice of the Little Small Wee

Bear; it was so sharp; and so shrill; that it

awakened her at once。  Up she started; and

when she saw the Three Bears on one side

of the bed; she tumbled herself out at the

other; and ran to the window。  Now the window

was open; because the Bears; like good;

tidy Bears as they were; always opened their

bed…chamber window when they got up in the

morning。



Out little Goldilocks jumped; and ran away

home to her mother; as fast as ever she

could。





THE OLD WOMAN AND HER PIG'1'



'1' Adapted from Joseph Jacobs's English Fairy Tales (David

Nutt; 57…59 Long Acre; W。C。 6s。)。





It happened one day that as an old woman

was sweeping her house she found a little

crooked sixpence。  〃What;〃 said she; 〃shall I

do with this little sixpence?  I will go to

market; and buy a little pig。〃



On the way home she came to a stile; but

the piggy wouldn't go over the stile。



So she left the piggy and went on a little

further; till she met a dog。  She said to him;

〃Dog; dog; bite pig; piggy won't go over the

stile; and I sha'n't get home to…night。〃  But the

dog wouldn't bite piggy。



A little further on she met a stick。  So she

said:  〃Stick! stick! beat dog! dog won't bite

pig; piggy won't go over the stile; and I sha'n't

get home to…night。〃  But the stick wouldn't

beat the dog。



A little further on she met a fire。  So she

said:  〃Fire! fire! burn stick! stick won't beat

dog; dog won't bite pig; piggy won't get over

the stile; and I sha'n't get home to…night。〃  But

the fire wouldn't burn the stick。



A little further on she met some water。  So

she said:  〃Water! water! quench fire; fire

won't burn stick; stick won't beat dog; dog

won't bite pig; piggy won't get over the stile;

and I sha'n't get home to…night。〃  But the water

wouldn't quench the fire。



A little further on she met an ox。  So she

said:  〃Ox! ox! drink water; water won't

quench fire; fire won't burn stick; stick won't

beat dog; dog won't bite pig; piggy won't get

over the stile; and I sha'n't get home to…night。〃

But the ox wouldn't drink the water。



A little further on she met a butcher。  So

she said:  〃Butcher! butcher! kill ox; ox won't

drink water; water won't quench fire; fire

won't burn stick; stick won't beat dog; dog

won't bite pig; piggy won't get over the stile;

and I sha'n't get home to…night。〃  But the

butcher wouldn't kill the ox。



A little further on she met a rope。  So she

said:  〃Rope! rope! hang butcher; butcher

won't kill ox; ox won't drink water; water

won't quench fire; fire won't burn stick; stick

won't beat dog; dog won't bite pig; piggy won't

get over the stile; and I sha'n't get home to…

night。〃  But the rope wouldn't hang the butcher。



A little further on she met a rat。  So she

said:  〃Rat! rat! gnaw rope; rope won't hang

butcher; butcher won't kill ox; ox won't drink

water; water won't quench fire; fire won't

burn stick; stick won't beat dog; dog won't

bite pig; piggy won't get over the stile; and I

sha'n't get home to… night。〃  But the rat wouldn't

gnaw the rope。



A little further on she met a cat。  So she

said:  〃Cat! cat! kill rat; rat won't gnaw rope;

rope won't hang butcher; butcher won't kill

ox; ox won't drink water; water won't quench

fire; fire won't burn stick; stick won't beat

dog; dog won't bite pig; piggy won't get over

the stile; and I sha'n't get home to…night。〃  But

the cat said to her; 〃If you will go to yonder

cow; and fetch me a saucer of milk; I will kill the

rat。〃  So away went the old woman to the cow。



But the cow refused to give the milk unless

the old woman first gave her a handful of hay。

So away went the old woman to the haystack;

and she brought the hay to the cow。



When the cow had eaten the hay; she gave

the old woman the milk; and away she went

with it in a saucer to the cat。



As soon as it had lapped up the milk; the cat

began to kill the rat; the rat began to gnaw the

rope; the rope began to hang the butcher; the

butcher began to kill the ox; the ox began to

drink the water; the water began to quench

the fire; the fire began to burn the stick; the

stick began to beat the dog; the dog began to

bite the pig; the little pig in a fright jumped

over the stile; and so the old woman did get

home that night。





The briefest examination of these three

stories reveals the fact that one attribute 

beyond dispute in each。  Something happens;

all the time。  Every step in each story is an

event。  There is no time spent in explanation;

description; or telling how people felt; the

stories tell what people did; and what they said。

And the events are the links of a sequence of

the closest kind; in point of time and of cause

they follow as immediately as it is possible for

events to follow。  There are no gaps; and no

complications of plot requiring a return on the road。



A second common characteristic appears on

briefest examination。  As you run over the

little stories you will see that each event

presents a distinct picture to the imagination; and

that these pictures are made out of very simple

elements。  The elements are either familiar to

the child or analogous to familiar ones。  Each

object and happening is very like everyday;

yet touched with a subtle difference; rich in

mystery。  For example; the details of the

pictures in the Goldilocks story are parts of

everyday life;house; chairs; beds; and so on;

but they are the house; chairs; and beds of three

bears; that is the touch of marvel which transforms

the scene。  The old woman who owned

the obstinate pig is the centre of a circle in

which stand only familiar images;stick; fire;

water; cow; and the rest; but the wonder enters

with the fact that these usually inanimate or

dumb objects of nature enter so humanly into

the contest of wills。  So it is; also; with the

doings of the three little pigs。  Every image

is explicable to the youngest hearer; while none

suggests actual familiarity; because the actors

are not children; but pigs。  Simplicity; with

mystery; is the keynote of all the pictures; and

these are clear and distinct。



Still a third characteristic common to the

stories quoted is a certain amount of repetition。

It is more definite; and of what has been called

the 〃cumulative〃 kind; in the story of the old

woman; but in all it is a distinctive feature。



Here we have; then; three marked characteristics

common to three stories almost invariably

loved by children;action; in close sequence;

familiar images; tinged with mystery; some

degree of repetition。



It is not hard to see why these qualities

appeal to a child。  The first is the prime

characteristic of all good stories;〃stories as

is stories〃; the child's demand for it but bears

witness to the fact that his instinctive taste is

often better than the taste he later develops

under artificial culture。  The second is a matter

of common…sense。  How could the imagination

create new worlds; save out of the material of

the old?  To offer strange images is to confuse

the mind and dull the interest; to offer familiar

ones 〃with a difference〃 is to pique the interest

and engage the mind。



The charm of repetition; to children; is a

more complex matter; there are undoubtedly

a good many elements entering into it; hard to

trace in analysis。  But one or two of the more

obvious may be seized and brought to view。

The first is the subtle flattery of an unexpected

sense of mastery。  When the child…mind; following

with toilful alertness a new train of thought;

comes suddenly on a familiar epithet or expression;

I fancy it is with much the same sense of

satisfaction that we older people feel when in

the midst of a long programme of new music

the orchestra strikes into something we have

heard before;Handel; maybe; or one of the

more familiar Beethoven sonatas。  〃I know

that!  I have heard that before!〃 we think;

triumphant; and settle down to enjoyment

without effort。  So it is; probably; with the

〃middle…sized〃 articles of the bears' ho

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