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stories to tell to children-及12准

弌傍�� stories to tell to children 忖方�� 耽匈4000忖

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were only five or six drops of water in the

bottle�察�however�察�and he did not dare to drink。

So he was putting the flask away again when he

saw a little dog on the rocks�察�gasping for breath。

He looked at it�察�and then at the Golden River��

and he remembered the dwarf's words�察 �No

one can succeed except at the first trial;�察�and

he tried to pass the dog。  But it whined

piteously�察�and Gluck stopped。  He could not bear

to pass it。  ;Confound the King and his gold��

too� ─�he said�察�and he poured the few drops of

water into the dog's mouth。



The dog sprang up�察�its tail disappeared�察�its

nose grew red�察�and its eyes twinkled。  The next

minute the dog was gone�察�and the King of the

Golden River stood there。  He stooped and

plucked a lily that grew beside Gluck's feet。

Three drops of dew were on its white leaves。

These the dwarf shook into the flask which Gluck

held in his hand。



;Cast these into the river�察─�he said�察 �and go

down the other side of the mountains into the

Treasure Valley。;  Then he disappeared。



Gluck stood on the brink of the Golden River��

and cast the three drops of dew into the stream。

Where they fell�察�a little whirlpool opened�察�but

the water did not turn to gold。  Indeed�察�the

water seemed vanishing altogether。  Gluck was

disappointed not to see gold�察�but he obeyed the

King of the Golden River�察�and went down the

other side of the mountains。



When he came out into the Treasure Valley��

a river�察�like the Golden River�察�was springing

from a new cleft in the rocks above�察�and flowing

among the heaps of dry sand。  And then fresh

grass sprang beside the river�察�flowers opened

along its sides�察�and vines began to cover the

whole valley。  The Treasure Valley was becoming

a garden again。



Gluck lived in the Valley�察�and his grapes were

blue�察�and his apples were red�察�and his corn was

yellow�察�and the poor were never driven from

his door。  For him�察�as the King had promised��

the river was really a River of Gold。





It will probably be clear to anyone who has

followed these attempts�察�that the first step in

adaptation is analysis�察�careful analysis of the

story as it stands。  One asks oneself�察�What is

the story�拭 �Which events are necessary links in

the chain�拭 �How much of the text is pure

description��



Having this essential body of the story in

mind�察�one then decides which of the steps toward

the climax are needed for safe arrival there�察�and

keeps these。  When two or more steps can be

covered in a single stride�察�one makes the stride。

When a necessary explanation is unduly long�察�or

is woven into the story in too many strands�察�one

disposes of it in an introductory statement�察�or

perhaps in a side remark。  If there are two or

more threads of narrative�察�one chooses among

them�察�and holds strictly to the one chosen��

eliminating details which concern the others。



In order to hold the simplicity of plot so

attained�察�it is also desirable to have but few

personages in the story�察�and to narrate the action

from the point of view of one of them��usually

the hero。  To shift the point of view of the

action is confusing to the child's mind。



When the analysis and condensation have

been accomplished�察�the whole must be cast in

simple language�察�keeping if possible the same

kind of speech as that used in the original�察�but

changing difficult or technical terms to plain��

and complex images to simple and familiar ones。



All types of adaptation share in this need of

simple language��stories which are too short��

as well as those which are too long�察�have this

feature in their changed form。  The change in a

short story is applied oftenest where it becomes

desirable to amplify a single anecdote�察�or

perhaps a fable�察�which is told in very condensed

form。  Such an instance is the following anecdote

of heroism�察�which in the original is quoted in

one of F。 W。 Robertson's lectures on Poetry。





A detachment of troops was marching along a valley��

the cliffs overhanging which were crested by the enemy。  A

sergeant�察�with eleven men�察�chanced to become separated from

the rest by taking the wrong side of a ravine�察�which they

expected soon to terminate�察�but which suddenly deepened

into an impassable chasm。  The officer in command signalled

to the party an order to return。  They mistook the signal for

a command to charge�察�the brave fellows answered with a

cheer�察�and charged。  At the summit of the steep mountain

was a triangular platform�察�defended by a breastwork�察�behind

which were seventy of the foe。  On they went�察�charging up

one of those fearful paths�察�eleven against seventy。  The

contest could not long be doubtful with such odds。  One

after another they fell�察�six upon the spot�察�the remainder

hurled backwards�察�but not until they had slain nearly twice

their own number。



There is a custom�察�we are told�察�amongst the hillsmen�察�that

when a great chieftain of their own falls in battle�察�his wrist is

bound with a thread either of red or green�察�the red denoting

the highest rank。  According to custom�察�they stripped the

dead�察�and threw their bodies over the precipice。  When their

comrades came�察�they found their corpses stark and gashed��

but round both wrists of every British hero was twined the

red thread��





This anecdote serves its purpose of illustration

perfectly well�察�but considered as a separate

story it is somewhat too explanatory in diction��

and too condensed in form。  Just as the long

story is analysed for reduction of given details��

so this must be analysed��to find the details

implied。  We have to read into it again all that

has been left between the lines。



Moreover�察�the order must be slightly changed��

if we are to end with the proper ;snap�察─�the

final sting of surprise and admiration given by

the point of the story�察�the point must be prepared

for。  The purpose of the original is equally

well served by the explanation at the end�察�but

we must never forget that the place for the

climax�察�or effective point in a story told�察�is the

last thing said。  That is what makes a story

;go off; well。



Imagining vividly the situation suggested�察�and

keeping the logical sequence of facts in mind��

shall we not find the story telling itself to boys

and girls in somewhat this form��





THE RED THREAD OF COURAGE��1��



��1�А�See also The Red Thread of Honour�察�by Sir Francis Doyle��

in Lyra Heroica��





This story which I am going to tell you is a

true one。  It happened while the English troops

in India were fighting against some of the native

tribes。  The natives who were making trouble

were people from the hill´country�察�called

Hillsmen�察�and they were strong enemies。  The

English knew very little about them�察�except

their courage�察�but they had noticed one peculiar

custom�察�after certain battles��the Hillsmen had

a way of marking the bodies of their greatest

chiefs who were killed in battle by binding a red

thread about the wrist�察�this was the highest

tribute they could pay a hero。  The English��

however�察�found the common men of them quite

enough to handle�察�for they had proved themselves

good fighters and clever at ambushes。



One day�察�a small body of the English had

marched a long way into the hill country�察�after

the enemy�察�and in the afternoon they found

themselves in a part of the country strange

even to the guides。  The men moved forward

very slowly and cautiously�察�for fear of an

ambush。  The trail led into a narrow valley with

very steep�察�high�察�rocky sides�察�topped with woods

in which the enemy might easily hide。



Here the soldiers were ordered to advance

more quickly�察�though with caution�察�to get out

of the dangerous place。



After a little they came suddenly to a place

where the passage was divided in two by a big

three´cornered boulder which seemed to rise

from the midst of the valley。  The main line

of men kept to the right�察�to save crowding the

path�察�a sergeant and eleven men took the left��

meaning to go round the rock and meet the rest

beyond it。



They had been in the path only a few minutes

when they saw that the rock was not a single

boulder at all�察�but an arm of the left wall of the

valley�察�and that they were marching into a deep

ravine with no outlet except the way they came。

Both sides were sheer rock�察�almost perpendicular��

with thick trees at the top�察�in front of

them the ground rose in a steep hill�察�bare of

woods。  As they looked up�察�they saw that the

top was barricaded by the trunks of trees�察�and

guarded by a strong body of Hillsmen。  As the

English hesitated�察�looking at this�察�a shower of

spears fell from the wood's edge�察�aimed by

hidden foes。  The place was a death trap。



At this moment�察�their danger was seen by the

officer in command of the main body�察�and he

signalled to the sergeant to retreat。



By some terrible mischance�察�the signal was

misunderstood。  The men took it for the signal

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