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第144节

phenomenology of mind-第144节

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The religion of art belongs to the spirit animating the ethical sphere; the spirit which we formerly
saw sink and disappear in the condition of right;(3) i。e。 in the proposition: 〃The self as such; the
abstract person; is absolute Being。〃 In ethical life the self is absorbed in the spirit of its nation; it is
universality filled to the full。 Simple abstract individuality; however; rises out of this content; and its
lightheartedness clarifies and rarifies it till it becomes a 〃person〃 and attains the abstract universality
of right。 Here the substantial reality of the ethical spirit is lo;;t; the abstract insubstantial spirits of
national individuals are gathered together into a pantheon; not into a pantheon represented in idea
(Vorstellung); whose impotent form lets each alone to do as it likes; but into the pantheon of
abstract universality; of pure thought; which disembodies them; and bestows on the spiritless self;
on the individual person; complete existence on its own account。

But this self; through its being empty; has let the content go; this consciousness is Being merely
within itself。 Its own existence; the legal recognition of the person; is an unfulfilled empty
abstraction。 It thus really possesses merely the thought of itself; in other words; as it there exists
and knows itself as object; it is something unreal。 Consequently; it is merely stoic independence;
the independence of thought; and this finds; by passing through the process of scepticism; its
ultimate truth in that form we called the 〃unhappy self…consciousness〃 — the soul of despair。

This knows how the case stands with the actual claims to validity which the abstract 'legal' person
puts forward; as also with the validity of this person in pure thought 'in Stoicism'。 It knows that a
vindication of such validity means really being altogether lost; it is just this loss become conscious
of itself; and is the surrender and relinquishment of its knowledge about itself。 We see that this
〃unhappy consciousness〃 constituted the counterpart and the complement of the perfectly happy
consciousness; that of comedy。 All divine reality goes back into this latter type of consciousness; it
means; in other words; the complete relinquishment and emptying of substance。 The former; on the
contrary; is conversely the tragic fate that befalls certainty of self which aims at being absolute; at
being self…sufficient。 It is consciousness of the loss of everything of significance in this certainty of
itself; and of the loss even of this knowledge or certainty of self…the loss of substance as well as of
self; it is the bitter pain which finds expression in the cruel words; 〃God is dead〃。(4)

In the condition of right or law; then; the ethical world has vanished; and its type of religion has
passed away in the mood of Comedy。 The 〃unhappy consciousness〃 the soul of despair; is just the
knowledge of all this loss。 It has lost both the worth and dignity it attached to its immediate
personality 'as a legal person' as well as that attaching to its personality when reflected in the
medium of thought 'in the case of Stoicism'。 Trust in the eternal laws of the Gods is likewise
silenced; just as the oracles are dumb; who pretended to know what to do in particular cases。 The
statues set up are now corpses in stone whence the animating soul has flown; while the hymns of
praise are words from which all belief has gone。 The tables of the gods are bereft of spiritual food
and drink; and from his games and festivals man no more receives the joyful sense of his unity with
the divine Being。 The works of the muse lack the force and energy of the spirit which derived the
certainty and assurance of itself just from the crushing ruin of gods and men。 They are themselves
now just what they are for us — beautiful fruit broken off the tree; a kindly fate has passed on
those works to us; as a maiden might offer such fruit off a tree。 Their actual life as they exist is no
longer there; not the tree that bore them; not the earth; and the elements; which constituted their
substance; nor the climate that determined their constitutive character; nor the change of seasons
which controlled the process of their growth。 So too it is not their living world that Fate preserves
and gives us with those works of ancient art; not the spring and summer of that ethical life in which
they bloomed and ripened; but the veiled remembrance alone of all this reality。 Our action;
therefore; when we enjoy them is not that of worship; through which our conscious life might attain
its complete truth and be satisfied to the full: our action is external; it consists in wiping off some
drop of rain or speck of dust from these fruits; and in place of the inner elements composing the
reality of the ethical life; a reality that environed; created and inspired these works; we erect in
prolix detail the scaffolding of the dead elements of their outward existence; — language; historical
circumstances; etc。 All this we do; not in order to enter into their very life; but only to represent
them ideally or pictorially (vorstellen) within ourselves。 But just as the maiden who hands us the
plucked fruits is more than the nature which presented them in the first instance — the nature which
provided all their detailed conditions and elements; tree; air; light; and so on — since in a higher
way she gathers all this together into the light of her self…conscious eye; and her gesture in offering
the gifts; so too the spirit of the fate; which presents us with those works of art; is more than the
ethical life realized in that nation。 For it is the inwardizing in us; in the form of conscious memory
(Er…Innerung); of the spirit which in them was manifested in a still external way; — it is the spirit
of the tragic fate which collects all those individual gods and attributes of the substance into the
one Pantheon; into the spirit which is itself conscious of itself as spirit。

All the conditions for its production are present; and this totality of its conditions constitutes the
development of it; its notion; or the inherent production of it。 The cycle of the creations of art
embraces in its scope all forms in which the absolute substance relinquishes itself。 The absolute
substance is in the form of individuality as a thing; as an object existing for sense experience; as
pure language; or the process of that form whose existence does not get away from the self; and is
a purely evanescent object; as immediate unity with universal self…consciousness when inspired
with enthusiasm; as mediated unity when performing the acts of the cult; as corporeal embodiment
of the self in a form of beauty; and finally as existence lifted into ideal representation (Vorstellung)
and the expansion of this existence into a world which at length gathers its content together into
universality; a universal which is at the same time pure certainty and assurance of itself。 These
forms; and; on the other side; the world of personality and legal right; the wild and desert waste of
content with its constituent elements set free and detached; as also the thought…constituted
personality of Stoicism; and the unresting disquiet of Scepticism — these compose; the periphery
of the circle of shapes and forms; which attend。; an expectant and eager throng; round the
birthplace of spirit as it becomes self…consciousness。 Their centre is the yearning agony of the
unhappy despairing self…consciousness; a pain which permeates all of them and is the common
birthpang at its production; — the simplicity of the pure notion; which contains those forms as its
moments。

Spirit; here; has in it two sides; which are above represented as the two converse propositions:
one is this; that substance empties itself of itself; and becomes self…consciousness; the other is the
converse; that self…consciousness empties itself of itself and makes itself into the form of 〃thing〃; or
makes itself universal self。 Both sides have in this way met each other; and in consequence; their
true union has arisen。 The relinquishment or 〃kenosis〃 on the part of the substance; its becoming
self…consciousness; expresses the transition into the opposite; the unconscious transition of
necessity; in other words; that it is implicitly self…consciousness。 Conversely; the emptying of
self…consciousness expresses this; that implicitly it is Universal Being; or — because the self is pure
self…existence; which is at home with itself in its opposite…that the substance is self…consciousness
explicitly for the self; and; just on that account; is spirit。 Of this spirit; which has left the form of
substance behind; and enters existence in the shape of self…consciousness; we may say;
therefore…if we wish to use terms drawn from the process of natural generation — that it has a real
mother but a potential or an implicit father。 For actual reality; or self…consciousness; and implicit
being in the sense of substance are its two moments; and by the reciprocity of their kenosis; each
relinquishing or 〃emptying〃 itself of itself and becoming the other; spirit thus comes into existence
as their unity。

In so far as self…consciousness in a one…sided way grasps 

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