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And that latter saying is true�察�though it must be remembered that Hallam 

wrote   in   the   period   when   no   English   was   recognized   by   literary   people 

except that of the upper level�察�when they did not know that these so´ called 



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uncouth phrases were to return to common use。 To´day it would be absurd 

to say that the Bible is full of uncouth phrases。 Professor Cook has said 

that   ;the   movement       of   English    diction�察  �which     in  the  seventeenth      and 

eighteenth centuries was on the whole away from the Bible�察�now returns 

with ever´accelerating speed toward it。; If the phrases went out�察�they came 

back。 But it is true that the English of the King James version is not that of 

the time of James I。�察�only because it is the English of the history of the 

language。 It has not immortalized for us the tongue of its times�察�because it 

has    taken    that  tongue    from   its   beginning     and    determined      its  form。   It 

carefully  avoided   words that   were   counted   coarse。  On   the   other hand�察 �it 

did not commit itself to words which were simply refinements of verbal 

construction。 That�察�I say�察�is a general fact。 

     It can be illustrated in one or two ways。 For instance�察�a word which 

has   become   common   to   us   is   the   neuter   possessive   pronoun   ;its。;   That 

word does not occur in the edition of 1611�察�and appears first in an edition 

in   the   printing   of   1660。   In   place   of   it�察  �in   the   edition   of   1611�察  �the   more 

dignified personal pronoun ;his; or ;her; is always used�察�and it continues 

for the most part in our familiar version。 In this verse you notice it�此 �Look 

not upon the wine when it is red�察�when it giveth HIS color aright in the 

cup。; In the Levitical law especially�察�where reference is made to sacrifices�察�

to the articles of the furniture of the tabernacle�察�or other neuter objects�察�the 

masculine       pronoun     is  almost     invariably     used。   In   the  original    it  was 

invariably used。 You see the other form in the familiar verse about charity�察�

that   it   ;doth   not   behave   itself   unseemly�察  �seeketh   not   HER   own�察  �is   not 

easily    provoked。;       Now�察   �there    is  evidence     that   the   neuter   possessive 

pronoun   was   just   coming   into   use。   Shakespeare   uses   it   ten   times   in   his 

works�察�but ten times only�察�and a number of writers do not use it at all。 It 

was�察�to be sure�察�a   word beginning to   be heard on the   street�察�and   for the 

most part on the lower level。 The King James translators never used it。 The 

dignified word was that masculine or feminine pronoun�察�and they always 

use it in place of the neuter。 

     On the other hand�察�there was a word which was coming into use on the 

upper level which has become common property to us now。 It is the word 

;anxiety。;      It  is  not    certain    just  when     it  came     into   use。    I  believe 



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Shakespeare does not use it�察�and it occurs very little in the literature of the 

times。     Probably     it  was    known     to   these   translators。    When      they   came�察�

however�察  �to   translating   a   word   which   now   we   translate   by   ;anxious;   or 

;anxiety; they did not use that word。 It was not familiar。 They used instead 

the   word   which   represented   the   idea   for   the   people   of   the   middle   level�察�

they   used   the   word   ;thought。;   So   they   said�察   �Take   no   thought   for   the 

morrow�察─�where we would say�察 �Be not anxious for the morrow。; There is 

a contemporary document which illustrates how that word ;thought; was 

commonly used�察�in which we read�此 �In five hundred years only two queens 

died in child birth�察�Queen Catherine Parr having died rather of thought。; 

That was written about the time of the King James version�察�and ;thought; 

evidently   means   worry   or         anxiety。   Neither   of    those   words�察  �the     neuter 

possessive pronoun or the new word ;anxious�察─�got into the King James 

version。  One   was   coming   into proper   use   from  the lower level�察 �and   one 

was   coming   into   proper   use   from   the   upper   level。   They   had   not   yet   so 

arrived that they could be used。 

     One result of this care to preserve dignity and also popularity appears 

in the fact that so few words of the English version have become obsolete。 

Words disappear  upward   out   of   the   upper  level   or   downward   out   of   the 

lower level�察�but it takes a long time for a word to get out of a language 

once   it   is   in   confirmed   use   on   the   middle   level。   Of   course�察  �the   version 

itself   has   tended   to   keep   words   familiar�察  �but   no   book�察  �no   matter   how 

widely used�察�can prevent some words from passing off the stage or from 

changing       their   meaning     so   noticeably     that   they   are   virtually    different 

words。 Yet   even   in   those   words   which   do   not   become   common   there   is 

very   little   tendency   to   obsolescence   in   the   King   James   version。   More 

words      of   Shakespeare       have    become      obsolete     or   have    changed      their 

meanings than in the King James version。 

     There is one interesting illustration to which attention has been called 

by Dr。 Davidson�察�which is interesting。 In the ninth chapter of the Judges�察�

where   we   are   told   about   Abimelech�察  �the   fifty´third   verse   reads   that   a 

woman cast a stone down from the wall and ;all to break his skull。; That 

is confessedly rather obscure。 Our ordinary understanding of it would be 

that   she   did   that   for   no   other   purpose   than   just   to   break   the   skull   of 



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Abimelech。 As a matter of fact�察�that expression is a printer's bungling way 

of giving a word which has become obsolete in the original form。 When 

the King James translators wrote that�察�they used the word ;alto�察─�which is 

evidently the beginning of ;altogether�察─�or wholly or utterly�察�and what they 

meant was that she threw  the  stone  and   utterly  broke his   skull。  But  that 

abbreviated form of the word passed out of use�察�and when later printers 

not much latercame to it they did not know what it meant and divided it 

as it stands in our present text。 It is one of the few words that have become 

obsolete。   But   so   few   are   there   of   them�察  �that   it   was   made   a   rule   of   the 

Revised      Version    not   to  admit   to  the   new    version�察  �where     it  could   be 

avoided�察�any word not already found in the Authorized Version�察�and also 

not to omit from the Revised Version�察�except under pressure of necessity�察�

any word which occurred there。 It is largely this blending of dignity and 

popularity that has made the King James version so influential in English 

literature。 It talks the language not of the upper level nor of the lower level�察�

but of that middle level where all meet sometimes and where most   men 

are all the while。 

     These   are   great   traits   to   mark   a   book�察  �any   book�察  �but   especially   a 

translationthat it is honest�察�that it is accurate�察�and that its language blends 

dignity and popularity so that it lowers the speech of none。 They are all 

conspicuous traits of our familiar version of the Bible�察�and in them in part 

lies   its  power    with   the   generations     of  these   three   centuries   that   have 

followed its appearance。 



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                               LECTURE III 



        THE KING JAMES VERSION AS ENGLISH LITERATURE 

     LET   it   be   plainly   said   at   the   very   first   that   when   we   speak   of   the 

literary phases of the Bible we are not discussing the book in its historic 

meaning。 It was never meant as literature in our usual sense of the word。 

Nothing could have been further from the thought of the men who wrote it�察�

whoever they were and whenever they wrote�察�than that they were making 

a world literature。 They had the characteristics of men who do make great 

literature they had clear vision and a great passion for truth�察�they loved 

their fellows mightily�察�and they were far more concerned to be understood 

than   to speak。 These   are   traits   that go to   make   great   writers。   But   it   was 

never in their minds that they were making a world literature。 The Bible is 

a book of religious si

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