meteorology-及23准
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!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
got the mastery in them and compacted them。 If we go further�察�brick is
called raw and so is milk and many other things too when they are such
as to admit of being changed and compacted by heat but have remained
unaffected。 Hence�察�while we speak of 'boiled' water�察�we cannot speak
of raw water�察�since it does not thicken。 We have now defined
ripening and rawness and assigned their causes。
Boiling is�察�in general�察�a concoction by moist heat of the
indeterminate matter contained in the moisture of the thing boiled��
and the word is strictly applicable only to things boiled in the way
of cooking。 The indeterminate matter�察�as we said�察�will be either
spirituous or watery。 The cause of the concoction is the fire
contained in the moisture�察�for what is cooked in a frying´pan is
broiled�此�it is the heat outside that affects it and�察�as for the
moisture in which it is contained�察�it dries this up and draws it
into itself。 But a thing that is being boiled behaves in the
opposite way�此�the moisture contained in it is drawn out of it by the
heat in the liquid outside。 Hence boiled meats are drier than broiled��
for�察�in boiling�察�things do not draw the moisture into themselves��
since the external heat gets the better of the internal�此�if the
internal heat had got the better it would have drawn the moisture to
itself。 Not every body admits of the process of boiling�此�if there is
no moisture in it�察�it does not ��for instance�察�stones���察�nor does it
if there is moisture in it but the density of the body is too great
for it´to´be mastered�察�as in the case of wood。 But only those bodies
can be boiled that contain moisture which can be acted on by the
heat contained in the liquid outside。 It is true that gold and wood
and many other things are said to be 'boiled'�此�but this is a stretch
of the meaning of the word�察�though the kind of thing intended is the
same�察�the reason for the usage being that the various cases have no
names appropriated to them。 Liquids too�察�like milk and must�察�are
said to undergo a process of 'boiling' when the external fire that
surrounds and heats them changes the savour in the liquid into a given
form�察�the process being thus in a way like what we have called
boiling。
The end of the things that undergo boiling�察�or indeed any form of
concoction�察�is not always the same�此�some are meant to be eaten�察�some
drunk�察�and some are intended for other uses�察�for instance dyes�察�too��
are said to be 'boiled'。
All those things then admit of 'boiling' which can grow denser��
smaller�察�or heavier�察�also those which do that with a part of
themselves and with a part do the opposite�察�dividing in such a way
that one portion thickens while the other grows thinner�察�like milk
when it divides into whey and curd。 Oil by itself is affected in
none of these ways�察�and therefore cannot be said to admit of
'boiling'。 Such then is the pfcies of concoction known as 'boiling'��
and the process is the same in an artificial and in a natural
instrument�察�for the cause will be the same in every case。
Imperfect boiling is the form of inconcoction opposed to boiling。
Now the opposite of boiling properly so called is an inconcoction of
the undetermined matter in a body due to lack of heat in the
surrounding liquid。 ��Lack of heat implies�察�as we have pointed out�察�the
presence of cold。�� The motion which causes imperfect boiling is
different from that which causes boiling�察�for the heat which
operates the concoction is driven out。 The lack of heat is due
either to the amount of cold in the liquid or to the quantity of
moisture in the object undergoing the process of boiling。 Where either
of these conditions is realized the heat in the surrounding liquid
is too great to have no effect at all�察�but too small to carry out
the process of concocting uniformly and thoroughly。 Hence things are
harder when they are imperfectly boiled than when they are boiled�察�and
the moisture in them more distinct from the solid parts。 So much for
the definition and causes of boiling and imperfect boiling。
Broiling is concoction by dry foreign heat。 Hence if a man were to
boil a thing but the change and concoction in it were due�察�not to
the heat of the liquid but to that of the fire�察�the thing will have
been broiled and not boiled when the process has been carried to
completion�此�if the process has gone too far we use the word 'scorched'
to describe it。 If the process leaves the thing drier at the end the
agent has been dry heat。 Hence the outside is drier than the inside��
the opposite being true of things boiled。 Where the process is
artificial�察�broiling is more difficult than boiling�察�for it is
difficult to heat the inside and the outside uniformly�察�since the
parts nearer to the fire are the first to get dry and consequently get
more intensely dry。 In this way the outer pores contract and the
moisture in the thing cannot be secreted but is shut in by the closing
of the pores。 Now broiling and boiling are artificial processes�察�but
the same general kind of thing�察�as we said�察�is found in nature too。
The affections produced are similar though they lack a name�察�for art
imitates nature。 For instance�察�the concoction of food in the body is
like boiling�察�for it takes place in a hot and moist medium and the
agent is the heat of the body。 So�察�too�察�certain forms of indigestion
are like imperfect boiling。 And it is not true that animals are
generated in the concoction of food�察�as some say。 Really they are
generated in the excretion which putrefies in the lower belly�察�and
they ascend afterwards。 For concoction goes on in the upper belly
but the excretion putrefies in the lower�此�the reason for this has been
explained elsewhere。
We have seen that the opposite of boiling is imperfect boiling��
now there is something correspondingly opposed to the species of
concoction called broiling�察�but it is more difficult to find a name
for it。 It would be the kind of thing that would happen if there
were imperfect broiling instead of broiling proper through lack of
heat due to deficiency in the external fire or to the quantity of
water in the thing undergoing the process。 For then we should get
too much heat for no effect to be produced�察�but too little for
concoction to take place。
We have now explained concoction and inconcoction�察�ripening and
rawness�察�boiling and broiling�察�and their opposites。
4
We must now describe the forms taken by the passive qualities the
moist and the dry。 The elements of bodies�察�that is�察�the passive
ones�察�are the moist and the dry�察�the bodies themselves are
compounded of them and whichever predominates determines the nature of
the body�察�thus some bodies partake more of the dry�察�others of the
moist。 All the forms to be described will exist either actually�察�or
potentially and in their opposite�此�for instance�察�there is actual
melting and on the other hand that which admits of being melted。
Since the moist is easily determined and the dry determined with
difficulty�察�their relation to one another is like that of a dish and
its condiments。 The moist is what makes the dry determinable�察�and each
serves as a sort of glue to the other´as Empedocles said in his poem
on Nature�察�'glueing meal together by means of water。' Thus the
determined body involves them both。 Of the elements earth is
especially representative of the dry�察�water of the moist�察�and
therefore all determinate bodies in our world involve earth and water。
Every body shows the quality of that element which predominates in it。
It is because earth and water are the material elements of all
bodies that animals live in them alone and not in air or fire。
Of the qualities of bodies hardness and softness are those which
must primarily belong to a determined thing�察�for anything made up of
the dry and the moist is necessarily either hard or soft。 Hard is that
the surface of which does not yield into itself�察�soft that which
does yield but not by interchange of place�此�water�察�for instance�察�is
not soft�察�for its surface does not yield to pressure or sink in but
there is an interchange of place。 Those things are absolutely hard and
soft which satisfy the definition absolutely�察�and those things
relatively so which do so compared with another thing。 Now
relatively to one another hard and soft are indefinable�察�because it is
a matter of degree�察�but since all the objects of sense are
determined by reference to the faculty of sense it is clearly the
relation to touch which determines that which is hard and soft
absolutely�察�and touch is that which we use as a standard or mean。 So
we call that which exceeds it hard and that which falls short of it
soft。