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及35准

the expression of emotion in man and animals-及35准

弌傍�� the expression of emotion in man and animals 忖方�� 耽匈4000忖

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ly prevents their being so much lowered as they otherwise would have been。 As far as I have been able to observe�察�the grief´muscles are brought into action much more frequently by children and women than by men。 They are rarely acted on�察�at least with grown´up persons�察�from bodily pain�察�but almost exclusively from mental distress。 Two persons who�察�after some practice�察�succeeded in acting on their grief´muscles�察�found by looking at a mirror that when they made their eyebrows oblique�察�they unintentionally at the same time depressed the corners of their mouths�察�and this is often the case when the expression is naturally assumed。

The power to bring the grief´muscles freely into play appears to be hereditary�察�like almost every other human faculty。 A lady belonging to a family famous for having produced an extraordinary number of great actors and actresses�察�and who can herself give this expression ;with singular precision�察─�told Dr。 Crichton Browne that all her family had possessed the power in a remarkable degree。 The same hereditary tendency is said to have extended�察�as I likewise hear from Dr。 Browne�察�to the last descendant of the family�察�which gave rise to Sir Walter Scott's novel of `Red Gauntlet��' but the hero is described as contracting his forehead into a horseshoe mark from any strong emotion。  I have also seen a young woman whose forehead seemed almost habitually thus contracted�察�independently of any emotion being at the time felt。

The grief´muscles are not very frequently brought into play�察�and as the action is often momentary�察�it easily escapes observation。 Although the expression�察�when observed�察�is universally and instantly recognized as that of grief or anxiety�察�yet not one person out of a thousand who has never studied the subject�察�is able to say precisely what change passes over the sufferer's face。 Hence probably it is that this expression is not even alluded to�察�as far as I have noticed�察�in any work of fiction�察�with the exception of `Red Gauntlet' and of one other novel�察�and the authoress of the latter�察�as I am informed�察�belongs to the famous family of actors just alluded to�察�so that her attention may have been specially called to the subject。

The ancient Greek sculptors were familiar with the expression�察�as shown in the statues of the Laocoon and Arretino�察�but�察�as Duchenne remarks�察�they carried the transverse furrows across the whole breadth of the forehead�察�and thus committed a great anatomical mistake�此�this is likewise the case in some modern statues。 It is�察�however�察�more probable that these wonderfully accurate observers intentionally sacrificed truth for the sake of beauty�察�than that they made a mistake�察�for rectangular furrows on the forehead would not have had a grand appearance on the marble。 The expression�察�in its fully developed condition�察�is�察�as far as I can discover�察�not often represented in pictures by the old masters�察�no doubt owing to the same cause�察�but a lady who is perfectly familiar with this expression�察�informs me that in Fra Angelico's `Descent from the Cross��' in Florence�察�it is clearly exhibited in one of the figures on the right´hand�察�and I could add a few other instances。

Dr。 Crichton Browne�察�at my request�察�closely attended to this expression in the numerous insane patients under his care in the West Riding Asylum�察�and he is familiar with Duchenne's photographs of the action of the grief´muscles。 He informs me that they may constantly be seen in energetic action in cases of melancholia�察�and especially of hypochondria�察�and that the persistent lines or furrows�察�due to their habitual contraction�察�are characteristic of the physiognomy of the insane belonging to these two classes。  Dr。 Browne carefully observed for me during a considerable period three cases of hypochondria�察�in which the grief´muscles were persistently contracted。 In one of these�察�a widow�察�aged 51�察�fancied that she had lost all her viscera�察�and that her whole body was empty。 She wore an expression of great distress�察�and beat her semi´closed hands rhythmically together for hours。  The grief´muscles were permanently contracted�察�and the upper eyelids arched。 This condition lasted for months�察�she then recovered�察�and her countenance resumed its natural expression。 A second case presented nearly the same peculiarities�察�with the addition that the corners of the mouth were depressed。

Mr。 Patrick Nicol has also kindly observed for me several cases in the Sussex Lunatic Asylum�察�and has communicated to me full details with respect to three of them�察�but they need not here be given。 From his observations on melancholic patients�察�Mr。 Nicol concludes that the inner ends of the eyebrows are almost always more or less raised�察�with the wrinkles on the forehead more or less plainly marked。 In the case of one young woman�察�these wrinkles were observed to be in constant slight play or movement。  In some cases the corners of the mouth are depressed�察�but often only in a slight degree。 Some amount of difference in the expression of the several melancholic patients could almost always be observed。  The eyelids generally droop�察�and the skin near their outer corners and beneath them is wrinkled。 The naso´labial fold�察�which runs from the wings of the nostrils to the corners of the mouth�察�and which is so conspicuous in blubbering children�察�is often plainly marked in these patients。

Although with the insane the grief´muscles often act persistently�察�yet in ordinary cases they are sometimes brought unconsciously into momentary action by ludicrously slight causes。 A gentleman rewarded a young lady by an absurdly small present�察�she pretended to be offended�察�and as she upbraided him�察�her eyebrows became extremely oblique�察�with the forehead properly wrinkled。 Another young lady and a youth�察�both in the highest spirits�察�were eagerly talking together with extraordinary rapidity�察�and I noticed that�察�as often as the young lady was beaten�察�and could not get out her words fast enough�察�her eyebrows went obliquely upwards�察�and rectangular furrows were formed on her forehead。  She thus each time hoisted a flag of distress�察�and this she did half´a´dozen times in the course of a few minutes。 I made no remark on the subject�察�but on a subsequent occasion I asked her to act on her grief´muscles�察�another girl who was present�察�and who could do so voluntarily�察�showing her what was intended。 She tried repeatedly�察�but utterly failed�察�yet so slight a cause of distress as not being able to talk quickly enough�察�sufficed to bring these muscles over and over again into energetic action。

The expression of grief�察�due to the contraction of the grief´muscles�察�is by no means confined to Europeans�察�but appears to be common to all the races of mankind。  I have�察�at least�察�received trustworthy accounts in regard to Hindoos�察�Dhangars ��one of the aboriginal hill´tribes of India�察�and therefore belonging to a quite distinct race from the Hindoos���察�Malays�察�Negroes and Australians。  With respect to the latter�察�two observers answer my query in the affirmative�察�but enter into no details。 Mr。 Taplin�察�however�察�appends to my descriptive remarks the words ;this is exact。;  With respect to negroes�察�the lady who told me of Fra Angelico's picture�察�saw a negro towing a boat on the Nile�察�and as he encountered an obstruction�察�she observed his grief´muscles in strong action�察�with the middle of the forehead well wrinkled。 Mr。 Geach watched a Malay man in Malacca�察�with the corners of his mouth much depressed�察�the eyebrows oblique�察�with deep short grooves on the forehead。  This expression lasted for a very short time�察�and Mr。 Geach remarks it ;was a strange one�察�very much like a person about to cry at some great loss。;

In India Mr。 H。 Erskine found that the natives were familiar with this expression�察�and Mr。 J。 Scott�察�of the Botanic Gardens�察�Calcutta�察�has obligingly sent me a full description of two cases。 He observed during some time�察�himself unseen�察�a very young Dhangar woman from Nagpore�察�the wife of one of the gardeners�察�nursing her baby who was at the point of death�察�and he distinctly saw the eyebrows raised at the inner corners�察�the eyelids drooping�察�the forehead wrinkled in the middle�察�the mouth slightly open�察�with the corners much depressed。  He then came from behind a screen of plants and spoke to the poor woman�察�who started�察�burst into a bitter flood of tears�察�and besought him to cure her baby。 The second case was that of a Hindustani man�察�who from illness and poverty was compelled to sell his favourite goat。 After receiving the money�察�he repeatedly looked at the money in his hand and then at the goat�察�as if doubting whether he would not return it。  He went to the goat�察�which was tied up ready to be led away�察�and the animal reared up and licked his hands。 His eyes then wavered from side to side�察�his ;mouth was partially closed�察�with the corners very decidedly depressed。; At last the poor man seemed to make up his mind that he must part with his goat�察�and then�察�as Mr。 Scott saw�察�the eyebrows became slightly oblique�察�with the characteristic puckering or swelling at the inner ends�察�but the wrinkles on the forehead were not present。 The man stood thus for a minute�察�then heaving a deep sigh�察�burst into tears�察�raised up his two hands�察�blessed the goat�察�turned round�察�and without looking again�察�went away。

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