湊徨勵弌傍利 > 哂囂窮徨慕 > the expression of emotion in man and animals >

及12准

the expression of emotion in man and animals-及12准

弌傍�� the expression of emotion in man and animals 忖方�� 耽匈4000忖

梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




��2�А�Mr。 Tylor gives an account of the Cistercian gesture´language in his `Early History of Mankind' ��2nd edit。  1870�察�p。  40���察�and makes some remarks on the principle of opposition in gestures。

��3�А�See on this subject Dr。 W。 R。 Scott's interesting work�察 �The Deaf and Dumb��' 2nd edit。  1870�察�p。  12。  He says�察 �This contracting of natural gestures into much shorter gestures than the natural expression requires�察�is very common amongst the deaf and dumb。 This contracted gesture is frequently so shortened as nearly to lose all semblance of the natural one�察�but to the deaf and dumb who use it�察�it still has the force of the original expression。;

Many signs�察�moreover�察�which plainly stand in opposition to each other�察�appear to have had on both sides a significant origin。 This seems to hold good with the signs used by the deal and dumb for light and darkness�察�for strength and weakness�察�&c。 In a future chapter I shall endeavour to show that the opposite gestures of affirmation and negation�察�namely�察�vertically nodding and laterally shaking the head�察�have both probably had a natural beginning。 The waving of the hand from right to left�察�which is used as a negative by some savages�察�may have been invented in imitation of shaking the head�察�but whether the opposite movement of waving the hand in a straight line from the face�察�which is used in affirmation�察�has arisen through antithesis or in some quite distinct manner�察�is doubtful。

If we now turn to the gestures which are innate or common to all the individuals of the same species�察�and which come under the present head of antithesis�察�it is extremely doubtful�察�whether any of them were at first deliberately invented and consciously performed。 With mankind the best instance of a gesture standing in direct opposition to other movements�察�naturally assumed under an opposite frame of mind�察�is that of shrugging the shoulders。  This expresses impotence or an apology��something which cannot be done�察�or cannot be avoided。 The gesture is sometimes used consciously and voluntarily�察�but it is extremely improbable that it was at first deliberately invented�察�and afterwards fixed by habit�察�for not only do young children sometimes shrug their shoulders under the above states of mind�察�but the movement is accompanied�察�as will be shown in a future chapter�察�by various subordinate movements�察�which not one man in a thousand is aware of�察�unless he has specially attended to the subject。

Dogs when approaching a strange dog�察�may find it useful to show by their movements that they are friendly�察�and do not wish to fight。  When two young dogs in play are growling and biting each other's faces and legs�察�it is obvious that they mutually understand each other's gestures and manners。 There seems�察�indeed�察�some degree of instinctive knowledge in puppies and kittens�察�that they must not use their sharp little teeth or claws too freely in their play�察�though this sometimes happens and a squeal is the result�察�otherwise they would often injure each other's eyes。 When my terrier bites my hand in play�察�often snarling at the same time�察�if he bites too hard and I say GENTLY�察�GENTLY�察�he goes on biting�察�but answers me by a few wags of the tail�察�which seems to say ;Never mind�察�it is all fun。;  Although dogs do thus express�察�and may wish to express�察�to other dogs and to man�察�that they are in a friendly state of mind�察�it is incredible that they could ever have deliberately thought of drawing back and depressing their ears�察�instead of holding them erect��of lowering and wagging their tails�察�instead of keeping them stiff and upright�察�&c。�察�because they knew that these movements stood in direct opposition to those assumed under an opposite and savage frame of mind。

Again�察�when a cat�察�or rather when some early progenitor of the species�察�from feeling affectionate first slightly arched its back�察�held its tail perpendicularly upwards and pricked its ears�察�can it be believed that the animal consciously wished thus to show that its frame of mind was directly the reverse of that�察�when from being ready to fight or to spring on its prey�察�it assumed a crouching attitude�察�curled its tail from side to side and depressed its ears�拭�Even still less can I believe that my dog voluntarily put on his dejected attitude and ;_hot´house face_�察─�which formed so complete a contrast to his previous cheerful attitude and whole bearing。 It cannot be supposed that he knew that I should understand his expression�察�and that he could thus soften my heart and make me give up visiting the hot´house。

Hence for the development of the movements which come under the present head�察�some other principle�察�distinct from the will and consciousness�察�must have intervened。  This principle appears to be that every movement which we have voluntarily performed throughout our lives has required the action of certain muscles�察�and when we have performed a directly opposite movement�察�an opposite set of muscles has been habitually brought into play�察�as in turning to the right or to the left�察�in pushing away or pulling an object towards us�察�and in lifting or lowering a weight。 So strongly are our intentions and movements associated together�察�that if we eagerly wish an object to move in any direction�察�we can hardly avoid moving our bodies in the same direction�察�although we may be perfectly aware that this can have no influence。 A good illustration of this fact has already been given in the Introduction�察�namely�察�in the grotesque movements of a young and eager billiard´player�察�whilst watching the course of his ball。 A man or child in a passion�察�if he tells any one in a loud voice to begone�察�generally moves his arm as if to push him away�察�although the offender may not be standing near�察�and although there may be not the least need to explain by a gesture what is meant。 On the other hand�察�if we eagerly desire some one to approach us closely�察�we act as if pulling him towards us�察�and so in innumerable other instances。

As the performance of ordinary movements of an opposite kind�察�under opposite impulses of the will�察�has become habitual in us and in the lower animals�察�so when actions of one kind have become firmly associated with any sensation or emotion�察�it appears natural that actions of a directly opposite kind�察�though of no use�察�should be unconsciously performed through habit and association�察�under the influence of a directly opposite sensation or emotion。 On this principle alone can I understand how the gestures and expressions which come under the present head of antithesis have originated。 If indeed they are serviceable to man or to any other animal�察�in aid of inarticulate cries or language�察�they will likewise be voluntarily employed�察�and the habit will thus be strengthened。 But whether or not of service as a means of communication�察�the tendency to perform opposite movements under opposite sensations or emotions would�察�if we may judge by analogy�察�become hereditary through long practice�察�and there cannot be a doubt that several expressive movements due to the principle of antithesis are inherited。



CHAPTER III。

GENERAL PRINCIPLES OF EXPRESSION_concluded_。

The principle of direct action of the excited nervous system on the body�察�independently of the will and in part of habit Change of colour in the hairTrembling of the muscles Modified secretionsPerspirationExpression of extreme pain Of rage�察�great joy�察�and terrorContrast between the emotions which cause and do not cause expressive movementsExciting and depressing states of the mindSummary。


WE now come to our third Principle�察�namely�察�that certain actions which we recognize as expressive of certain states of the mind�察�are the direct result of the constitution of the nervous system�察�and have been from the first independent of the will�察�and�察�to a large extent�察�of habit。 When the sensorium is strongly excited nerve´force is generated in excess�察�and is transmitted in certain directions�察�dependent on the connection of the nerve´cells�察�and�察�as far as the muscular system is concerned�察�on the nature of the movements which have been habitually practised。 Or the supply of nerve´force may�察�as it appears�察�be interrupted。 Of course every movement which we make is determined by the constitution of the nervous system�察�but actions performed in obedience to the will�察�or through habit�察�or through the principle of antithesis�察�are here as far as possible excluded。  Our present subject is very obscure�察�but�察�from its importance�察�must be discussed at some little length�察�and it is always advisable to perceive clearly our ignorance。

The most striking case�察�though a rare and abnormal one�察�which can be adduced of the direct influence of the nervous system�察�when strongly affected�察�on the body�察�is the loss of colour in the hair�察�which has occasionally been observed after extreme terror or grief。 One authentic instance has been recorded�察�in the case of a man brought out for execution in India�察�in which the change of colour was so rapid that it was perceptible to the eye。��1��

Another good case is that of the trembling of the muscles�察�which is common to man and to many�察�or most�察�of the lower animals。 Trembling is of no service�察�often of much disservice�察�and cannot have been at first acquired through the will�察�and then rendered habitual in association with any em

卦指朕村 貧匯匈 和匯匈 指欺競何 壘��0�� 家��2��

低辛嬬浪散議