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the lady of the lake-及33准

弌傍�� the lady of the lake 忖方�� 耽匈4000忖

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I should have been apt to question this fact�察�had I not frequently seen them wet from morning to night�察�and�察�even at the beginning of the rain�察�not so much as stir a few yards to shelter�察�but continue in it without necessity�察�till they were�察�as we say�察�wet through and through。  And that is soon effected by the looseness and spunginess of the plaiding�察�but the bonnet is frequently taken off�察�and wrung like a dishclout�察�and then put on again。  They have been accustomed from their infancy to be often wet�察�and to take the water like spaniels�察�and this is become a second nature�察�and can scarcely be called a hardship to them�察�insomuch that I used to say�察�they seemed to be of the duck kind�察�and to love water as well。 Though I never saw this preparation for sleep in windy weather�察�yet�察�setting out early in a morning from one of the huts�察�I have seen the marks of their lodging�察�where the ground has been free from rime or snow�察�which remained all round the spot where they had lain' ��Letters from Scotland�察�Lond。 1754�察�8vo�察�ii。 p。 108��。;


809。  His henchman。  Scott quotes again the Letters from Scotland ��ii。 159���此 �This officer is a sort of secretary�察�and is to be ready�察�upon all occasions�察�to venture his life in defence of his master�察�and at drinking´bouts he stands behind his seat�察�at his haunch�察�from whence his title is derived�察�and watches the conversation�察�to see if any one offends his patron。  An English officer being in company with a certain chieftain�察�and several other Highland gentlemen�察�near Killichumen�察�had an argument with the great man�察�and both being well warmed with usky ��whisky�В察�at last the dispute grew very hot。  A youth who was henchman�察�not understanding one word of English�察�imagined his chief was insulted�察�and thereupon drew his pistol from his side�察�and snapped it at the officer's head�察�but the pistol missed fire�察�otherwise it is more than probable he might have suffered death from the hand of that little vermin。  But it is very disagreeable to an Englishman over a bottle with the Highlanders�察�to see every one of them have his gilly�察�that is�察�his servant�察�standing behind him all the while�察�let what will be the subject of conversation。;


829。  On the morn。  Modifying should circle�察�not the nearer verb had sworn。


831。  The Fiery Cross。  See on iii。 18 below。


846。  Point。  Point out�察�appoint。  Cf。 Shakespeare�察�Sonn。 14。 6��

    ;Nor can I fortune to brief minutes tell�察     �Pointing to each his thunder�察�rain�察�and wind。;

The word in this and similar passages is generally printed ;'point; by modern editors�察�but it is not a contraction of appoint。


860。  Then plunged�察�etc。  The MS。 has ;He spoke�察�and plunged into the tide。;


862。  Steered him。  See on i。 142 above。


865�察�866。  Darkening 。。。 gave。  In the 1st ed。 these lines are joined to what precedes�察�as they evidently should be�察�in all the more recent eds。 they are joined to what follows。





Canto Third。




3。  Store。  See on i。 548 above。


5。  That be。  in old English�察�besides the present tense am�察�etc。�察�there was also this form be�察�from the Anglo´Saxon beon。  The 2d person singular was beest。  The 1st and 3d person plural be is often found in Shakespeare and the Bible。


10。  Yet live there still�察�etc。  See on ii。 692 above。


15。  What time。  Cf。 ii。 307 above。


17。  The gathering sound。  The sound�察�or signal�察�for the gathering。 The phrase illustrates the difference between the participle and the verbal noun ��or whatever it may be called�� in ´ing。  Cf。 ;a laboring man; and ;a laboring day; ��Julius Caesar�察�i。 1。 4���察�and see our ed。 of J。 C。 p。 126。


18。  The Fiery Cross。  Scott says here�此 �When a chieftain designed to summon his clan�察�upon any sudden or important emergency�察�he slew a goat�察�and making a cross of any light wood�察�seared its extremities in the fire�察�and extinguished them in the blood of the animal。 This was called the Fiery Cross�察�also Crean Tarigh�察�or the Cross of Shame�察�because disobedience to what the symbol implied�察�inferred infamy。  It was delivered to a swift and trusty messenger�察�who ran full speed with it to the next hamlet�察�where he presented it to the principal person�察�with a single word�察�implying the place of rendezvous。  He who received the symbol was bound to send it forward�察�with equal despatch�察�to the next village�察�and thus it passed with incredible celerity through all the district which owed allegiance to the chief�察�and also among his allies and neighbours�察�if the danger was common to them。  At sight of the Fiery Cross�察�every man�察�from sixteen years old to sixty�察�capable of bearing arms�察�was obliged instantly to repair�察�in his best arms and accoutrements�察�to the place of rendezvous。  He who failed to appear suffered the extremities of fire and sword�察�which were emblematically denounced to the disobedient by the bloody and burnt marks upon this warlike signal。  During the civil war of 1745´6�察�the Fiery Cross often made its circuit�察�and upon one occasion it passed through the whole district of Breadalbane�察�a tract of thirty´two miles�察�in three hours。  The late Alexander Stewart�察�Esq。�察�of Invernahyle�察�described to me his having sent round the Fiery Cross through the district of Appine�察�during the same commotion。  The coast was threatened by a descent from two English trigates�察�and the flower of the young men were with the army of Prince Charles Edward�察�then in England�察�yet the summons was so effectual that even old age and childhood obeyed it�察�and a force was collected in a few hours�察�so numerous and so enthusiastic�察�that all attempt at the intended diversion upon the country of the absent warriors was in prudence abandoned�察�as desperate。;


19。  The Summer dawn's reflected hue�察�etc。  Mr。 Ruskin says ��Modern Painters�察�iii。 278���此 �And thus Nature becomes dear to Scott in a threefold way�此�dear to him�察�first�察�as containing those remains or memories of the past�察�which he cannot find in cities�察�and giving hope of Praetorian mound or knight's grave in every green slope and shade of its desolate places�察�dear�察�secondly�察�in its moorland liberty�察�which has for him just as high a charm as the fenced garden had for the mediaeval�察 �。。 and dear to him�察�finally�察�in that perfect beauty�察�denied alike in cities and in men�察�for which every modern heart had begun at last to thirst�察�and Scott's�察�in its freshness and power�察�of all men's most earnestly。

;And in this love of beauty�察�observe that the love of colour is a leading element�察�his healthy mind being incapable of losing�察�under any modern false teaching�察�its joy in brilliancy of hue。 。。。 In general�察�if he does not mean to say much about things�察�the one character which he will give is colour�察�using it with the most perfect mastery and faithfulness。;

After giving many illustrations of Scott's use of colour in his poetry�察�Ruskin quotes the present passage�察�which he says is ;still more interesting�察�because it has no form in it at all except in one word ��chalice���察�but wholly composes its imagery either of colour�察�or of that delicate half´believed life which we have seen to be so important an element in modern landscape。;

;Two more considerations�察─�he adds�察 �are�察�however�察�suggested by the above passage。  The first�察�that the love of natural history�察�excited by the continual attention now given to all wild landscape�察�heightens reciprocally the interest of that landscape�察�and becomes an important element in Scott's description�察�leading him to finish�察�down to the minutest speckling of breast�察�and slightest shade of attributed emotion�察�the portraiture of birds and animals�察�in strange opposition to Homer's slightly named 'sea´crows�察�who have care of the works of the sea��' and Dante's singing´birds�察�of undefined species。  Compare carefully the 2d and 3d stanzas of Rokeby。

;The second point I have to note is Scott's habit of drawing a slight moral from every scene�察 �。。 and that this slight moral is almost always melancholy。  Here he has stopped short without entirely expressing it��

   ;The mountain´shadows 。。      。。。。。。。。。。。。。。。。。。。。。 lie      Like future joys to Fancy's eye。'

His completed thought would be�察�that these future joys�察�like the mountain´shadows�察�were never to be attained。  It occurs fully uttered in many other places。  He seems to have been constantly rebuking his own worldly pride and vanity�察�but never purposefully��

    'The foam´globes on her eddies ride�察     �Thick as the schemes of human pride      That down life's current drive amain�察     �As frail�察�as frothy�察�and as vain。';

Ruskin adds�察�among other illustrations�察�the reference to ;foxglove and nightshade; in i。 218�察�219 above。


28。  Like future joys�察�etc。  This passage�察�quoted by Ruskin above�察�also illustrates what is comparatively rare in figurative language taking the immaterial to exemplify the material。  The latter is constantly used to symbolize or elucidate the former�察�but one would have to search long in our modern poetry to find a dozen instances where�察�as here�察�the relation is reversed。  Cf。 639 below。  We have another example in the second passage quoted by Ruskin。  Cf。 also Tennyson's

     ;thousand wreaths of dangling water´smoke�察     �That like a broken purpose waste in air�察�

and Shelly's

   ;Our boat is asleep on Serchio's stream�察     �Its sails

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